Originally published on Thu January 10, 2013 3:24 pm
Credit Eve Turow for NPR
OK, I'll admit it: I've thought about doing a liquid cleanse. Detoxing, renewing myself, clearing out my system all sounds appealing, especially post-holiday binging. As baked brie, gingerbread cookies and rich stews settle onto my hips, a detox becomes ever more alluring. I've never taken the leap, though, for one simple reason: I like eating solids.
The architecture critic Ada Louise Huxtable had a pillow stitched with the words: Ada Louise Huxtable already doesn't like it. That was the zingy caption of a New Yorker cartoon from 1968. The cartoon showed a rough construction site with only a single column erected. A construction worker in a hardhat is holding a newspaper reading Huxtable's scathing critique to the architect. Ada Louise Huxtable, who pioneered architecture criticism, died yesterday in Manhattan. She was 91.
This month marks the 150th anniversary of the Emancipation Proclamation, which President Lincoln issued on Jan. 1, 1863, in the midst of the Civil War. The document declares that all those held as slaves within any state, or part of a state, in rebellion "shall be then, thenceforward and forever free."
Historian Bruce Levine explores the destruction of the old South and the reunified country that emerged from the Civil War in his new book, The Fall of the House of Dixie. He says one result of the document was a flood of black men from the South into the Union Army.
Since the publication of George Saunders' 1996 debut story collection, Civilwarland in Bad Decline, journalists and scholars have been trying to figure out how to describe his writing. Nobody has come very close. The short story writer and novelist has been repeatedly called "original," which is true as far as it goes — but it doesn't go nearly far enough. Saunders blends elements of science fiction, horror and humor writing into his trademark brand of literary fiction.
The cliche about writers is they should write what they know, and that old saw has certainly worked for Quiara Alegria Hudes. The 35-year-old playwright has mined her Puerto Rican family's stories into a series of plays, a musical and even a children's book. Now, her Pulitzer Prize-winning drama, Water by the Spoonful, is being brought to life in the first New York production of the play, opening off-Broadway on Tuesday evening.
Sunday Bloody Sunday is one of those films that lets you into the lives of believable, complicated characters. A handsome, self-centered young artist played by the actor/rock singer Murray Head is having simultaneous affairs with both an older woman (played with infinitely nuanced self-irony by Glenda Jackson) and an older man, a Jewish doctor (the touching Peter Finch), two intelligent adults who have mutual friends and even know each other slightly.
Julian Fellowes may be the Baron Fellowes of West Stafford, but the English screenwriter, director and novelist says his background "was much more ordinary than the newspapers have made it." What he means is that he did not grow up with servants waiting on him hand and foot, as people have seen done for the Crawley family on Downton Abbey, the hit television series Fellowes created. The third season premiered Sunday.