Over the course of his career, Michael Caine has played big parts and small parts, all of them memorable. His films include everything from Alfie to The Man Who Would Be King, from The Cider House Rules to The Dark Knight.
"I've been very fortunate," Caine tells NPR's Robert Siegel, "because I spent my life doing something that I love doing so much, I used to do it for nothing. So you can't have a better life than that."
In the 1995 Richard Linklater film, Before Sunrise, a young American man named Jesse (Ethan Hawke) and a young Frenchwoman named Celine (Julie Delpy) meet on a train from Budapest. Intrigued by one another, they get off the train together in Vienna and spend the night wandering the city, talking and falling in love, before they both return to their respective lives in their respective countries.
Summer vacations are where we do some of our most serious thinking — whether we're sitting by the ocean, cradled in a hammock, or strolling alongside a river. And yet, when it comes to summer reading, we can be quick to grab the latest flashy espionage novel or an earthy romance slathered in buttery prose. Not that there isn't a time and place for brain popcorn, but lately, I find that I want my summer reading material to match my buzzing mind. And for that kind of constant engagement, I turn to memoir.
In 2011, NoViolet Bulawayo was awarded the Caine Prize for African Writing for her short story "Hitting Budapest." In this raw, fierce tale of a gang of near-feral children on the hunt for guavas, the young writer delivered one of the most powerful works of fiction to come out of Zimbabwe in recent years — a clear-eyed indictment of a government whose policies, in the decades since independence, have left many of its citizens destitute.
If your idea of ballet is a flurry of tutus and toeshoes, a new exhibition at the National Gallery of Art in Washington will expand your vision. "Diaghilev and the Ballets Russes" shows the revolutionary impact a group of dancers, composers, artists and choreographers made on classical dance at the start of the 20th century.