When we taped this show on Tuesday, we had all had quite a lot of the Oscars, to be honest. And we secretly suspect that with the all-out pile-on that continues for months before the ceremony, you might not require an all-out assault on the whole thing. So this week, you'll hear a quick wrap-up of how we felt about the hosting, some of the speeches, some of the great moments of Adele Nazeem-ing it up, and then we'll bid the entire thing farewell until next year. Next year, Oscars.
Credit Stephen Sandoval / Museum of Modern Art, New York City, Lillie P. Bliss Collection
Here's what I remember: The day it happened, I was around 8 years old, which puts me in the second grade. It was definitely a Sunday (because we never went anywhere on Saturdays). My dad had decided to take me to the Museum of Modern Art to see some paintings, and I always liked going places with my dad, it didn't matter where, so we arrived at the lobby, bought our tickets, handed them to a man who tore them in half, like at the movies. Then we took the escalator, walked into a big gallery, and as we were moving through — that's when it happened.
Being haunted seems like it might be an occupational hazard for Helen Oyeyemi. Her books are re-worked fairy tales, the gruesome kind, with beheadings and wicked stepmothers and ghosts and death, death, and more death (though, once dead, her characters don't always stay that way).
Goodnight stars. Good night air. Good night noises, everywhere.
A woman named Margaret Wise Brown wrote those words. And you probably recognize them. You've probably read them out loud many times. It's from her book, "Goodnight Moon." Margaret Wise Brown died in 1952. But much of what she wrote was never published, including her songs and poems.
Tom Selznick (Elijah Wood) is a renowned concert pianist who's literally under the gun in <em>Grand Piano</em>, a Hitchcock-style thriller that plays out in real time.
Credit Magnet Releasing
A world-renowned pianist known for cracking under the pressure of performance sits down to play a concerto before a packed hall. Then he sees the message scrawled in red on his sheet music: "Play one wrong note and you die." The movie almost writes itself.
Gustave H. (Ralph Fiennes, with Saoirse Ronan and Tony Revolori) is a hotel concierge in an Eastern Europe falling under Hitler's shadow — a man pining for the Old World sensibility that's fading all around him.
Credit Bob Yeoman / Fox Searchlight Pictures
Chances are you've already made up your mind about Wes Anderson. Either you're willing to go with the meticulous symmetry of his dollhouse compositions, the precious tchotchke-filled design sensibility and the stilted formality of his dialogue, or you check out of his storybook worlds in the first five minutes. On the evidence of his eighth feature, The Grand Budapest Hotel, it's clear no one is more aware of his idiosyncracies than Anderson himself — and he's not apologizing.
The goth-glam Artemisia (Eva Green) is one of the more memorable characters in <em>300: Rise of an Empire — </em>and not just because she's commander of the Persian navy.
Credit Warner Bros. Pictures
Talk about meeting cute: The first time they're alone together, the protagonists of 300: Rise of an Empire rip each other's clothes off. But then Themistokles (Sullivan Stapleton) and Artemisia (Eva Green) can't decide if they want to make love or war.
From 1952 to 1974, the "Joy Boys" — Walker (left) and Willard Scott — provided D.C. radio listeners with a daily dose of comedy. Scott went on to work in TV, where he can still be seen on <em>The Today Show; </em>Walker stuck with radio.
Credit Publicity photos from the WRC Graphics Department / TheJoyBoys.Com