"Shake it like a polar bear ninja!" If you suspect that these are not the correct lyrics to Outkast's "Hey Ya!", then this week's game of mondegreens (misheard lyrics) is for you. We'll also visit the world of late-night infomercials and root for our favorite gluttonous, envious, lustful basketball team--the Phoenix Sins. Plus, V.I.P. David Rees teaches us how to sharpen pencils the artisanal way.
Originally published on Mon February 11, 2013 4:37 pm
Year cakes made of sticky rice are among the traditional Chinese New Year foods.
Credit Ju-x / Flickr.com
About 3,000 years ago, give or take a couple of decades, the Chinese people began celebrating the beginning of their calendar year with a joyful festival they called Lunar New Year. They cleaned their homes, welcomed relatives, bought or made new clothes and set off firecrackers. And there was feasting and special offerings made to the Kitchen God for about two weeks.
This past weekend, a surprising little movie topped the box office over pop-action juggernaut Hansel and Gretel: Witch Hunters and the Oscar-nominated Silver Linings Playbook.
Warm Bodies is a zombie romance brought to you by the man behind the recent cancer comedy 50/50; clearly, director and screenwriter Jonathan Levine has an interest in genre bending, and this latest flick is equal parts Night of the Living Dead and Romeo and Juliet. It's told through the eyes of R (Nicholas Hoult), a zombie living in an airport.
Originally published on Thu February 7, 2013 8:07 pm
From West 24th to West 42nd Street, New York's Seventh Avenue is also known as "Fashion Avenue." It's home to major designers as well as those who are just starting out, like Ann Yee and Daniel Vosovic.
Thursday marks the beginning of New York Fashion Week, where big-name designers like Michael Kors, Anna Sui and Vera Wang will debut their Fall 2013 collections. It's part of an industry that generates billions of dollars of revenue for New York City, employing hundreds of thousands of workers. But the real business of fashion happens several blocks south of the glamorous Lincoln Center runways,in New York's Garment District.
Donna (Molly Parker) is the drunk, distracted matriarch to Maggie (Olivia Harris) and her nervous siblings in <em>The Playroom</em>.
Credit Freestyle Releasing
There's a sequence early in the laughable drama The Playroom that epitomizes everything wrong with it: With her parents out of the house, 16-year-old Maggie Cantwell (Olivia Harris), the eldest of four latchkey kids, sneaks into the garage with her boyfriend on a determined quest to lose her virginity. While the two fumble around clumsily on the floor, Maggie's youngest brother, Sam (Ian Veteto), sits outside the garage door, trying to sew a merit badge onto his shirt but struggling to thread the needle.
The demon snake sisters (Charlene Choi and Eva Huang) disguise themselves as beautiful women in <em>The Sorcerer and the White Snake.</em>
Credit Magnet Releasing
In the opening sequence of The Sorcerer and the White Snake, two monks step through a giant gate and find themselves in a new world — one made entirely of computer-generated images. Only Fahai (Jet Li) and his disciple Neng Ren (Zhang Wen) are human.
"Don't believe everything you see," the older man warns.
A band of virtually orphaned children (Nele Trebs, Mika Seidel, Andre Frid and Saskia Rosendahl) trek through southern Germany seeking shelter — and answers — at the end of World War II.
Credit Music Box Films
It took years for our fictions to consider the Holocaust narrative. And for an even longer time, a stunned silence hovered over the fate of "Hitler's children" — ordinary Germans during and after World War II. That embargo, too, is lifting, with a significant trickle of novels, movies and television dramas that imagine what it felt like to be the inheritors of the worst that humans can do to other humans.
Originally published on Thu February 7, 2013 5:40 pm
By Joel Arnold
Charles (Charlie Sheen) is a none-too-likeable ladies's man in <em>A Glimpse Inside the Mind of Charles Swan III</em>.
Credit A24 Films
There's no separating Charlie Sheen from Charles Swan, the titular representation of the male id at its most self-obsessed in Roman Coppola's uneven A Glimpse Inside the Mind of Charles Swan III. But for better and decidedly worse, that's the point.
In Steven Soderbergh's medical thriller <em>Side Effects</em>, Emily (Rooney Mara) goes through an emotional crisis — and then a psychopharmacological one — after her husband Martin (Channing Tatum) is released from prison.
Credit Eric Liebowitz / Open Road Films
It's the drug's fault, man. That's the defense offered by the perpetrator brought to trial in Side Effects, a stylish, vaguely Hitchcockian dud. But what excuse does this fatally silly movie have?
The film, reportedly the final big-screen effort for prolific director Steven Soderbergh, begins in a New York apartment where something bad has happened. Blood on the floor, smeared and tracked by footprints, suggests murder, suicide or extreme clumsiness.