Originally published on Thu October 18, 2012 5:25 pm
By Sam Stander
Credit KimStim Inc.
It's tempting to call Denis Cote's Bestiaire "contemplative." Its unscored 72 minutes of footage — of animals, caretakers and patrons at Quebec's Parc Safari — certainly leave a lot of room for thought.
The road to hell is paved not just with good intentions, but with movies that attempt to capture the way women really talk. Bodacious confessions about illicit nights spent in all manner of threesomes; loud coffee-shop discussions about yeast infections; repeated fretting about that possible Mr. Right who, for some reason, just hasn't gotten around to calling — all of these things figure heavily in the generally preposterous girl talk that makes up That's What She Said. Elvis Costello sure had it right: There are some things you can't cover up with lipstick and powder.
Newsweek editor Tina Brown announced Thursday she would embrace a fully digital future as she revealed that the magazine's final print edition would be published at the end of the year.
Her announcement was a bow to gravity, as her unique blend of buzz and brio proved incapable of counteracting Newsweek's plummeting circulation and advertising amid an accelerating news cycle. Brown said there would be an unspecified number of layoffs as well.
His public words have inspired millions, but for scholars, his private words and deeds generate confusion, discomfort, apologetic excuses. When the young Thomas Jefferson wrote, "We hold these truths to be self-evident, that all men are created equal," there's compelling evidence to indicate that he indeed meant all men, not just white guys.
As soon as Sherry Turkle arrived at the studio for her Fresh Air interview, she realized she'd forgotten her phone. "I realized I'd left it behind, and I felt a moment of Oh my god ... and I felt it kind of in the pit of my stomach," she tells Terry Gross. That feeling of emotional dependence on digital devices is the focus of Turkle's research. Her book, Alone Together, explores how new technology is changing the way we communicate with one another.
Originally published on Fri October 19, 2012 4:54 pm
"It was the best of times, it was the best of times," riffs aspiring writer Sophia in the opening of MTV's new dramedy, Underemployed, as she taps away on her laptop, narrating the lives of her recent-grad friends a la Carrie Bradshaw. It's the first cliché in a series full of them. It's also a sign of the ongoing fascination with the lives of twentysomethings trying and failing to do big things in big cities during a big recession. (Take it from me — it's not that great.)
Now we want to tell you about history that was just made on a campus that is full of history, some of it difficult. Just a few days ago, a young woman was crowned homecoming queen at her university. And you might think, well, that's nice, but that happens all the time.
I don't know when we decided to start celebrating the 161st anniversaries of things, but it's the 161st anniversary of the publication of Moby-Dick, and there's a Google Doodle to celebrate. [The Telegraph]
"The fact is I am quite happy in a movie, even a bad movie," admits Binx Bolling, the hero of Walker Percy's 1961 novel The Moviegoer. It's the same for a lot of us — cinema affects us in ways we don't always understand, and even the worst films appeal to our nostalgia and sense memories in manners that defy the normal rules of taste and logic. (Currently, on my DVR: La Dolce Vita, a classic I know I should see at some point, and Gymkata, a truly terrible 1985 martial-arts flick I've watched a dozen times.