Originally published on Thu January 31, 2013 12:29 pm
Credit Courtesy of Bonjwing Lee
Americans may have perfected food television and exported our fast-food tastes around the world, but we still haven't made it to the podium in the so-called Olympics of Cooking. The prestigious Bocuse d'Or chef competition, held in Lyon, France, on Tuesday and Wednesday, saw Team USA unable to break its dry streak, with a seventh-place finish behind winners France, Denmark and Japan.
This week brings two new high-profile drama series. One is The Americans, premiering Jan. 30 on the FX network; it's about sleeper KGB agents living in the U.S. during the Reagan era. The other is House of Cards, a new series premiering Feb. 1.
William H. Macy is the first to admit that he has played his fair share of losers. His latest role, as the alcoholic, narcissist Frank Gallagher — the single dad of a dysfunctional six-kid family — on the Showtime series Shameless, adds to the list of hapless characters Macy has portrayed on screen and stage.
Originally published on Wed January 30, 2013 1:38 pm
Credit Amy Guttman
You'd be forgiven for thinking chicken Kiev got its start in the Ukrainian capital. After all, a hearty dish of chicken filled with butter, wrapped in bread crumbs, and deep fried is the perfect meal to withstand subzero temperatures and cold winds blowing across the Dniepr River.
Ukrainian chefs say they have the only authentic recipe for the dish, but they concede that chicken Kiev, despite its name, has a far more sophisticated provenance: It's French.
There are three phrases that are almost always bad news for a piece of cultural writing.
1. "The masses."
2. "Middle America."
3. "The lowest common denominator."
All three are ways to separate the writer and her sensibility — which are presumed to be congruent with the reader and her sensibility — from invisible and undefined others, for whom bad cultural content is produced and by whom it is unquestioningly gobbled up.
It used to be a truism among critics of British poetry that Keats and most of his fellow Romantic poets worked in the shadow of John Milton. I'm not making a perfect analogy when I suggest that most contemporary Japanese writers seem to be working under the shadow of Haruki Murakami, but I hope it highlights the spirit of the situation.
"What are those?" I asked my mom, suspiciously eyeing the little cardboard tub with its cellophane cover. It held a heap of pale, miniature cabbages. "They're Brussels sprouts," she said. "They're supposed to be good for you," she added, sealing my doom.
At dinnertime, the mystery vegetable reappeared, steaming hot and greenish-yellow but otherwise unaltered. It gave off a sulfurous stench. I recoiled, but I knew my job. I took a bite.
In a new book, The Insurgents: David Petraeus and the Plot to Change the American Way of War, journalist and author Fred Kaplan tackles the career of David H. Petraeus and follows the four-star general from Bosnia to his commands in Iraq and Afghanistan.
Central to the story are ideas of counterinsurgency. Kaplan says that while counterinsurgency is not a new kind of warfare, it's a kind of war that Americans do not like to fight.
Viewed through the lens of dogmatic perversions in the Soviet Union and China, communism is often seen as the antithesis of American society; an atheistic dystopia founded by Karl Marx, one of the post-Enlightenment's wayward secular philosophers. But Marx came from a deeply religious background — generations of rabbis on both sides — and his original motivation lay in that most Christian of principles: helping humanity's downtrodden.