If you'd like your summer reading to take you beyond the beaten path, librarian Nancy Pearl is here to help. NPR's go-to books guru joins us regularly to reveal "under the radar" reads — books she thinks deserve more attention than they've been getting. Pearl talks with NPR's Steve Inskeep about some of the titles she picked out for the summer reading season.
For Billy Crystal's Mike, the big green eyeball of <em>Monsters University,</em> scaring hardly comes naturally.
It's a big month for origin stories: first the Man of Steel, now the Eye of Green and the Abominable Furball of Blue — aka Mike and Sully, top scarers at Monsters, Inc. How did they become the best of the best, you ask? You didn't ask? Well, Pixar's got the answer anyway: They trained at Monsters U.
Gerry Lane (Brad Pitt) puts his past as a U.N. investigator to work again when he and his family — not to mention the rest of the planet — are threatened by a zombie apocalypse.
Credit Paramount Pictures
World War Z is clearly out to make a buck — and needs to, since with its well-publicized overruns, rewrites and production delays, it looks to have cost gazillions in screenwriter salaries alone — but for its first hour or so, you'd never guess this sprawling contagion epic had anything on its mind but action storytelling.
It's impossible to open the newspaper or turn on the TV these days without seeing some outrageous example of new Asian money. From a castle modeled on Versailles in Changsha to billion-dollar penthouses in Bombay to the Marina Bay Sands casino in Singapore, with its seven celebrity-chef restaurants, the inescapable truth looms before us: We Asians are not just rich but also, frankly, somewhat crazy.
Credit Magnolia Pictures
You might expect big action from a movie about the hijacking of a cargo ship by Somali pirates. But after a preliminary flurry of roughing-up, the Danish drama A Hijacking is mostly about the excruciating process of getting to "yes" when language is the least of the barriers between two very different mindsets.
Ever so quietly this week, the national arts scene became a bit more fragmented, a bit more stratified and a lot more invisible. The Associated Press has just spiked a chunk of its opera, dance and off-Broadway coverage. And in this case, no news is bad news.
In an email, AP chief theater writer Mark Kennedy described the decision to me:
Journalist Jonathan Alter sees the 2012 presidential contest as the most consequential election of recent times. In his new book, The Center Holds, Alter argues that President Obama's re-election prevented the country from veering sharply to the right.