Arts

The centerpiece of For Ellen is the long-postponed meeting between a rock-band singer, Joby Taylor, and the 6-year-old daughter whose name is in the title. But writer-director So Yong Kim's wintry character study is primarily a solo act, punctuated by the occasional duet.

Fred Schepisi knows how to make the kinds of movies almost no one makes anymore. The tragedy is that they don't make audiences like they used to — and Schepisi's latest, The Eye of the Storm, will feel to many viewers like a movie lost in time and space.

That's no reflection on its craftsmanship, which is superb, or on its performances, which are sterling. But this multigenerational character study, based on a novel by Patrick White, requires a little patience: Its rhythms are slack in places, and its pace is definitely leisurely.

Film adaptations of TV shows long off the air have proven hit-or-miss at the box office. But in recent years, the practice of continuing the story of a popular, recently concluded TV series in a feature film has made for easier business — even when the results are mixed creatively. There's a lot to get wrong in translating a successful series, and therefore a lot to consider: How much of an introduction will a wide audience need to a show's world and characters?

At the end of July, when NPR's Robert Siegel set off on the longest vacation since his honeymoon 39 years ago, he packed a few books, including the new book The Art of Procrastination by John Perry, emeritus professor of philosophy at Stanford.

After two weeks in Delaware, two weeks in Iberia and a week of work in Tampa, Fla., Siegel finally finished it Wednesday night. He says his timing is fitting: The book is 92 small, double-spaced pages.

It expands on a short confessional essay Perry wrote in 1996 called "Structured Procrastination."

For an egregious example of a silly product placement, look no further than the CW show The Vampire Diaries, where a character actually says "I Bing'd it" of a search online. But believe it or not, product placement can actually be serious and socially conscious.

Take the Fox comedy Raising Hope. Earlier this year, the show's main character, who'd been a teen mom, caught a high school girl in bed with her boyfriend. "I'm gonna show you where this can lead to!" she screeched. "I'm your ghost of teen pregnancy future!"

Lincoln Center represents New York culture with a capital C. The Brooklyn Academy of Music, or BAM, across the river, has long presented scrappy alternative programming. But both recognize that to survive and thrive, they need to develop new works and new audiences.

Now, those two big artistic institutions have decided to go small. The Lincoln Center Theater and the Brooklyn Academy of Music have invested millions of dollars to fund new theater spaces for new work.

Martin Bayne entered an assisted living facility at 53 after he was diagnosed with young-onset Parkinson's disease. The disease affected his nerves so severely, it was impossible for him to take a shower and get dressed by himself.

"When I was in my 40s, I was physically fit and very active," Bayne tells Fresh Air's Terry Gross. "And to have to give all that up and stay in a wheelchair now and be helped by so many people to do the simplest of things — it takes a little getting used to."

Cranky technophobe Huw is in a bad way. It's centuries into the future, self-aware technology has formed a "singularity" — a floating superbrain cloud in the upper atmosphere — and his parents have already uploaded to it, leaving their bodies behind. Even household items literally have minds of their own. Huw's only consolation is that he has been summoned to a kind of jury duty, evaluating a new technology the superbrain has suggested, so at least he'll have the satisfaction of saying no if he thinks the new machine is too dangerous to let loose on Earth.

Transcript

MICHEL MARTIN, HOST: