And now it's time for the occasional feature we call In Your Ear. That's where guests of the program tell us the songs they're listening to for a little inspiration. Today is a very special, probably stressful day for "MasterChef" contestant Christine Ha. Why?
(SOUNDBITE OF MUSIC)
(SOUNDBITE OF TV SHOW, "MASTERCHEF")
GARY RHODES: The person joining Josh in the "MasterChef" finale, that person is Christine.
Originally published on Mon September 10, 2012 8:46 am
T.C. Boyle's newest book is called San Miguel. It comes out this month.
When I was a teenager my reading was largely confined to liner notes (The Rolling Stones: England's Newest Hit Makers!), but at some point — later, rather than sooner — I stumbled across a book or two and got hooked. A whole panoply of things came rushing at me — Hemingway's stories, J.D. Salinger, Cannery Row,On the Road, Tolkien, Vonnegut — but it was Franz Kafka who really set my wheels spinning.
In the southwestern Indiana town of Evansville, people are a bit baffled after hearing that the town's Museum of Arts, History and Science has had a rare Pablo Picasso piece in storage for almost half a century. Curator Mary Bower says the work went unnoticed because of a clerical error.
"All the documentation associated with the gift indicated that this was by an artist named Gemmaux," she says, "which really happens to be the plural of the artistic technique."
During New York Fashion Week, designers will present looks that you might find in a department store next spring ... or, as knockoffs at Forever 21. That's because copying fashion designs is perfectly legal — and that's a good thing, if you ask Kal Raustiala.
Raustiala is the co-author of a new book called The Knockoff Economy: How Imitation Sparks Innovation. He talks with NPR's Renee Montagne about who copies fashion designs, why it's legal and how copying ultimately benefits the consumer and the industry.
Michael Chabon's latest novel, Telegraph Avenue, is named after the famed road between Oakland and Berkeley in California.
In the book, that's also where two couples — Nat and Aviva, who are white, and Archy and Gwen, who are black — are struggling to get by. The two men are friends, partners in a vinyl record shop. Their wives work together as nurse midwives.
Over the course of a couple of weeks, the characters deal with threats to their work, to their relationships and their very way of being. Chabon delves deeply into issues of art, race and sexuality.
When museum curator Nicholas Bell was putting together the show Craft Futures: 40 Under 40 at the Smithsonian Institution's Renwick Gallery, he realized the artists had something in common besides their under-40 status. Because of their youth, he felt that each of them could be classified as "post 9/11" artists.
"Their worldview is defined by the angst, the unease, the trepidation of the difficulties of the 21st century," he says.