Originally published on Thu April 18, 2013 1:33 pm
By Joel Arnold
Credit Sony Pictures Classics
This week, the Tribeca Film Festival kicks off its 12th year. With a shorter history than Sundance or Cannes — the two major festivals that flank it on the calendar — Tribeca has grown in fits and starts since its 2002 launch as an effort to revitalize Lower Manhattan in the aftermath of the Sept. 11 attacks.
Today, Tribeca has carved out an identity as an international festival supporting both established and first-time filmmakers — and, not coincidentally, showcasing New York as a filmmaking hub.
Angela Davis was once on the FBI's most wanted list. But decades after her brush with the law as a political activist, she remains a hero to some, and a villain to others. Host Michel Martin talks with Shola Lynch, the director of the new documentary Free Angela and All Political Prisoners.
I'm Michel Martin and this is TELL ME MORE from NPR News. Now we want to tell you about a remarkable film, one that the renowned director Ingmar Bergman called extraordinary. But it's a film that most people have never seen because, for decades, it was believed to have been lost.
War photographer Tim Hetherington said he thought war was wired into young men. And he risked, and ultimately gave, his life to capture these young men in photographs and video — in Liberia, Sierra Leone, Afghanistan and other war zones. Hetherington was killed by shrapnel from a mortar round while taking pictures in Libya in 2011, during the uprising against President Moammar Gadhafi.
Whether or not you give a damn for Superman, you know who he is. Even if you've never read a comic book in your life, no one can hear the name "Superman" without a flash of recognition: red-and-yellow S on blue background, red cape, the dark-haired man in flight, jaw set, blue eyes fixed on a distant destination. He's on his way to save the world.
This is the second in a three-part series aboutthe intersection of education and the arts.
Let's start with a question from a standardized test: "How would the world be different if we all had a third eye in the back of our heads?"
It's not a typical standardized question, but as part of the Next Generation Creativity Survey, it's used to help measure creativity a bit like an IQ test measures intelligence. And it's not the only creativity test out there.