This is the year of American artist James Turrell. Three major museums collaborated to give this one man thousands of square feet of exhibition space. Turrell's work is all about space, and light and perception. Indeed, the three big shows in New York, Los Angeles and Houston are kind of a tease for his major life's work — the open air spaces at a volcano crater in Arizona.
Turrell fills Frank Lloyd Wright's Guggenheim Museum rotunda with light that slowly changes from purple to tangerine to turquoise and more. It surrounds and washes down on the viewer.
When I was in my 20s, I used to wonder why the media ran so many stories about life-work balance, and specifically about life-work balance for women. Then I had children. Now I'm fascinated by news reports and articles about subjects such as "having it all" and "leaning in." I also like novels and memoirs about the challenges and delights of motherhood, work, and combinations therein. Here are three books I love because they acknowledge and even celebrate the messy way that most of us actually live.
Weekend Edition gets a lot of emails that start like this: "Why don't you tell the truth about ..." The Kennedy assassination, Sept. 11, the Lincoln assassination, the birthplace of Barack Obama or John McCain, Pearl Harbor, Area 51, black helicopters or the moon landing — fill in the blank however you like.
Baz Luhrmann's first movie, Strictly Ballroom, was a cheap, independent romance set in the world of ballroom dancing. The 1992 film became an international hit. Since then, the director, writer and producer has become known for his lavish operatic movies like Romeo + Juliet, Moulin Rouge! and the recent The Great Gatsby.
If the world as we know it comes to an end, will art survive? And if it does, what kinds of stories will be told after the apocalypse? The answer might surprise you.
The lights come up on a group of people around a campfire in the woods, trying to recall all the details of the hilarious Simpsons episode "Cape Feare," a parody of the Robert Mitchum and Robert De Niro movies, in which Bart Simpson is stalked by the evil but incompetent Sideshow Bob.
Charlie Hoehn graduated college during a recession, constantly hearing the mantra, "You've got to take what you can get." But after months of rejection, he stopped following that advice. He describes how he built a career by working for free.
Psychologist Meg Jay has a message for twenty-somethings: just because marriage, work and kids happen later, doesn't mean you can't start planning now. She tells twenty-somethings how they can reclaim adulthood in the defining decade of their lives.