We've all faked our way through conversations before — whether about books we haven't read, movies we haven't seen or concepts we don't understand. In her new book, I Don't Know: In Praise of Admitting Ignorance (Except When You Shouldn't), Leah Hager Cohen explores moments in history and everyday life when "I don't know" can have a big impact.
A few years ago, Brown University commissioned a study of its own historical connection to the Atlantic slave trade. The report found that the Brown family — the wealthy Rhode Island merchants for whom the university was named — were "not major slave traders, but they were not strangers to the business either."
While NPR's Melissa Block is in Brazil, we'll be showcasing the work of several Brazilian writers. Today: Tatiana Salem Levy, whose short story "Blazing Sun" was featured in the literary magazine Granta. Levy splits her time between Rio de Janeiro, where she's spent most of her life, and Lisbon, where she was born. She calls "Blazing Sun," which is excerpted below, her love letter to Rio.
With a career that spans rock, pop, country and everything in between, Linda Ronstadt knows no genre, only what her voice can accomplish. Her most famous recordings include "Heart Like a Wheel," "Desperado," "Faithless Love," and many more. But last month, Ronstadt revealed that she has Parkinson's disease and can no longer sing.
Health, cultural assimilation and language are some of the top concerns on the minds of a group of Latino parents, social media influencers and regular contributors to Tell Me More. Health was something first lady Michelle Obama highlighted in July, when she addressed the National Council of La Raza, the nation's leading Hispanic civil rights organization.
Nicholson Baker has become a sort of poet of the particular and the peculiar. His books are filled with people who focus minutely on what captivates them – in other words, obsessives. A positive way of looking at obsession is as passion taken to an extreme. The danger, of course, is that the object of one person's intense fascination — such as the broken shoelaces in his unforgettable first novel, The Mezzanine, or the disquisitions on Debussy, dance music, and drones in his latest, Traveling Sprinkler — may spell another's total snore.
I approached this review with a little bit of dread. How do you write about the iconic novelist Thomas Pynchon, whose books are strange and difficult things, and whose die-hard readers gather online to wax poetic, and use words like Pynchonian, Pynchonalia and Pynchonesque? They are just so into him, and often so articulate about their love. If you read the thoughtful and detailed writing by Pynchon devotees, they make a very persuasive case.