Onstage, in front of an audience, the young woman seemingly goes into a trance, overcome by a power that shakes and contorts her. The commotion appears profoundly sexual; she grabs at her crotch as she writhes. When the woman reaches some kind of release, the spell is broken, and she becomes calm. She leaves the stage to enthusiastic applause.
Korean filmmaker Kim Ki-duk wastes little time establishing that Gang-do (Lee Jeong-jin) won't be pleasant company. We discover the protagonist of Kim's gritty, moody drama Pieta grunting his way through intimate relations with his pillow, falling asleep, then waking up and wandering to a bathroom covered in entrails left over from last night's fish dinner, which he brushes away with his foot before going about his business.
Egypt's capital, Cairo, is now synonymous with protests and sometimes violence. Late at night, the once-bustling downtown streets are largely empty these days. People worry about getting mugged or caught up in a mob.
But the recent Downtown Contemporary Arts Festival is an attempt to revitalize the area with music, art and culture in the old and forgotten venues of downtown Cairo, like the Qasr El Nil Theater.
Tina Brown, editor of the Daily Beast and Newsweek, joins NPR's Steve Inskeep again for an occasional feature Morning Edition likes to call Word of Mouth. She talks about what she's been reading and gives us some recommendations.
This month, her reading suggestions have a common theme: luck. Not good luck, not bad luck, but the often-ambiguous element of chance.
A Small Village Wins Big
Brown's first selection is a Michael Paterniti article from GQ, which Brown calls "a fabulous piece of very offbeat reporting."
It really only hit yesterday: It's the end of The Office.
After nine seasons, Dunder Mifflin is going dark Thursday night, with an hour-long retrospective at 8:00 and a 75-minute episode at 9:00 that may or may not feature a cameo from Steve Carell. There have been denials of an appearance from him that could be read as emphatic or tiptoeing, depending on whether you focus on the obvious implications of those denials or the technicalities that might allow for wiggle room.
Before I tell you about J.J. Abrams' second Star Trek film, with its youngish new Starship Enterprise crew, let me say that just because I've seen every episode of the original StarTrek and of The Next Generation, and most of the spinoff series, and every movie, I'm not a Trekkie — meaning someone who goes to conventions or speaks Klingon or greets people with a Vulcan salute.
Some novelists interest us because they turn the light of a style we enjoy on whatever subject they take up. Some novelists we enjoy because they have found a great subject and work it well and lovingly. John le Carre seems to belong to the latter group, having found his vein of fiction gold in the world of Cold War espionage.
Sarah Polley earned wide acclaim for directing the drama Away from Her, about a woman fading into the twilight of Alzheimer's, as well as for her acting performances in an array of films including The Sweet Hereafter and My Life Without Me. Her latest film, Stories We Tell,is a documentary, though — and a personal one at that.