On this week's show, we turn to a topic near and dear to exactly half of our hearts: the wide world of sports. Glen explains how he came to feel the same way about sports that he feels about Fred Basset. Stephen envisions an actor breaking his leg and the play falling into a "clown show," and I wax rhapsodic about those great little Olympic stories about somebody's excited mom. It's the Super Bowl, the Olympics, and the nature of enthusiasm, all in one sportsy chat.
It's not often that a big-budget Hollywood film turns its attention to art historians and curators. But that's the subject of The Monuments Men, opening this weekend at a multiplex near you.
George Clooney stars in and directs the story, about a special group of soldiers tasked with protecting the masterpieces of European culture during the chaos of World War II and its aftermath. But as you might expect, the real story of the Monuments Men — and women — is messier and less glamorous than the Hollywood version.
There's a fascinating tale to be told in The Monuments Men, George Clooney's new film based on the true story of a search for looted art stolen by the Nazis during World War II. In real life, with fighting still raging on the battlefields of Europe, a small team of art experts searched urgently for tens of thousands of missing paintings and sculptures. The movie's audience will search for something a little different.
The thing about Sochi and the surrounding area, and the sidewalks, and the roads, and the land around the train tracks, is the construction. It is everywhere — in places where some might see it and say, "Wait, it doesn't matter. This will not be on TV. No one important is staying here. Just let it go." Miles away from any venue or lodging or Olympic rings.
It's been nearly 70 years since the end of World War II, but Croatian writer Dasa Drndic makes the war and its countless horrors feel fresh and urgent in her latest novel "Trieste." Ellen Elias-Bursac translated the book into English.
Barbara Herman has spent the better part of the past six years taking a deep nosedive into the world of vintage fragrances. Her quest has been to find the bold, sexy and downright odd smells that have defined women over the decades.
The result is a book called Scent And Subversion: Decoding A Century Of Provocative Perfume. It explains how, at the turn of the 20th century, most perfumes were still just one note, floral. Then, a now-iconic perfume came along — one that combined musk with a traditional floral scent.