Even taken together, the charges didn't seem to amount to that big a deal — just a matter of quoting a few factual statements and a Wikipedia passage without attributing them. But as Rand Paul discovered, the word "plagiarism" can still rouse people to steaming indignation. Samuel Johnson called plagiarism the most reproachful of literary crimes, and the word itself began as the name of a real crime. In Roman law, a plagiarius was someone who abducted a child or a slave — it's from "plaga," the Latin word for a net or a snare.
Originally published on Tue November 12, 2013 10:17 am
[This piece contains some plot details about About Time, but nothing major that isn't revealed in the film's marketing.]
Movies are the closest thing we have to time travel, so it's no wonder — or rather, it's a rich and enduring wonder — that so many memorable films have made it their subject. Actually, let's strike that. Few if any of those films are actually about time travel. Most films that involve it use it as a means of discussing something else.
Rapper and producer Sean "Diddy" Combs, director Robert Rodriguez, and basketball legend Magic Johnson each now has his own new cable TV networks. Their channels were part of a merger deal Comcast made with the FCC to give a shot to new networks owned by African Americans, Latinos and others.
Last month, Combs threw on his classic Puff Daddy alias to welcome millennial viewers to his new music network, Revolt.
This Veterans Day, considers these lines from the preface to Fire And Forget, a collection of short stories by veterans of the wars in Iraq and Afghanistan:
On the one hand, we want to remind you ... of what happened ... and insist you recollect those men and women who fought, bled, and died in dangerous and far-away places. On the other hand, there's nothing most of us would rather do than leave these wars behind. No matter what we do next, the soft tension of the trigger pull is something we'll carry with us forever.
Originally published on Fri November 15, 2013 4:56 pm
A few years ago I did an author visit at an overcrowded junior high school in a rougher part of San Antonio. I write young adult novels that feature working-class, "multicultural" characters, so I'm frequently invited to speak at urban schools like this.
As is often the case, the principal and I talked as the kids filed into the auditorium. The student body was mostly Hispanic, he told me, and over 90 percent qualified for free and reduced lunch. It was an underprivileged school, a traditionally low-achieving school, but they were working hard to raise performance.