Speaking at TED in 1998, Rev. Billy Graham marvels at technology's power to improve lives and change the world. But he says technology and science can't do everything: "There's something inside of us that is beyond our understanding." Graham's daughter, Anne Graham Lotz, reflects on her father's idea of the nature of faith.
What aspects of religion should atheists adopt? Alain de Botton suggests a "religion for atheists" that incorporates religious forms and traditions to satisfy our human need for connection, ritual and transcendence.
Originally published on Fri November 22, 2013 7:51 pm
Credit flcarcavallo / Thinkstock
"We're more than a body and a mind. We are a soul. And there's something inside of us that is beyond our understanding. That's the part of us that yearns for God, or something more." — Rev. Billy Graham
This week's show features something you will very rarely hear from us: bleeping! By which I mean: actual, literal bleeps. Because we're kicking things off with a discussion of profanity, in movies including Anchorman and Die Hard, and in TV shows on cable and broadcast.
Originally published on Fri November 22, 2013 2:06 pm
By Jason Sheehan
There are, among connoisseurs of pornography, many stratified tastes. To cater to those tastes, there are many levels to which the pornography itself might rise (or sink, depending on your moral stance on the topic). There are categories, boundaries, territories of smut that run the gamut from the (relatively) tame to the out-and-out horrifying.
It's that time of year again. Time for Mama Stamberg's Cranberry Relish. Every year since 1972, around Thanksgiving, I've shared my mother-in-law's famous cranberry relish recipe on the radio. It's appallingly pink, like Pepto Bismol — but it tastes terrific.
This year, I bring my relish recipe to Thanksgivukkah. Next week, Thanksgiving and the start of Hanukkah fall on the same day. It's a rare convergence.
This week, New York City lost a cultural landmark. The site known as 5Pointz was a graffiti museum, of sorts — the walls of a 200,000-square-foot warehouse complex covered with ever-evolving spray-painted art. It spread across a block in Long Island City right across the water from Manhattan in the borough of Queens.