In a high-school locker room in small-town Indiana, a coach is tearing into his basketball team. The Medora Hornets have scored zero points — none at all — in the game's fourth quarter.
In Medora, the hapless team becomes a kind of metaphor for the town itself — "a no-stoplight town," in the words of documentarian Davy Rothbart, one where the jobs have dried up and the population has dwindled.
Way back in the 2004 film Anchorman, Ron Burgundy was a local TV-news host in '70s San Diego. Fast-forward to this year's sequel, and that epic haircut is national news: Set in 1980, Anchorman 2 follows Will Ferrell's vain, shallow character as he graduates to a CNN-style cable news network.
I feel a little defensive about choosing "selfie" as my Word of the Year for 2013. I've usually been partial to words that encapsulate one of the year's major stories, such as "occupy" or "big data." Or "privacy," which is the word Dictionary.com chose this year. But others go with what I think of as mayfly words — the ones that bubble briefly to the surface in the wake of some fad or fashion.
As we near the end of 2013, NPR is taking a look at the numbers that tell the story of this year. Numbers that, if you really understand them, give insight into the world we're living in, right now. Over the next two weeks, you'll hear the stories behind these numbers, which range from zero to 1 trillion.
You can understand a lot about how Hollywood works if you understand the number 17. That's the number of big, super-expensive movies that came out in the May to July summer movie season. And only about 10 of them were solidly profitable.