Originally published on Sat November 30, 2013 11:05 am
By Maanvi Singh
Credit Photos by Shimon and Tammar, Courtesy of Shimon and Tammar
How to make dead fish look attractive? That's the challenge New York-based duo Shimon and Tammar Rothstein faced when they were hired to do the photography for famed French chef Eric Ripert's book On the Line.
Rome is often called the Eternal City, and generations of filmmakers from around the world have sought to capture its enduring beauty on screen.
The new film The Great Beauty is the latest, a picture that casts Rome itself in the title role. After playing to critical acclaim in Europe, it opens in American cinemas this month. The film is also Italy's official entry at this season's Academy Awards.
The Great Beauty is a double-edged portrait, out to capture both the beauty and the ugliness of modern Rome.
Sometime after 3 a.m. on Sunday, international negotiators emerged from a conference room in a Geneva hotel, bearing with them weary smiles and a historic agreement. U.S. Secretary of State John Kerry, Iran Foreign Minister Mohammad Javad Zarif and representatives from five other world powers had come together on a deal to freeze the Iranian nuclear program temporarily.
Spike Lee's movies typically carry the label "A Spike Lee Joint," but Oldboy doesn't. He calls it "a Spike Lee Film," which my guess is Lee's way of saying he's a gun for hire — and that after a line of box office failures and difficulty getting financing for personal projects, he can make a fast, violent action thriller.
And as it happens, he can — a more-than-decent one. But this is also the first time I've come out of a Spike Lee film, bad or good, and not known why it had to be made. It's brutal, effective and utterly without urgency.
Originally published on Fri November 29, 2013 3:17 pm
By Jason Sheehan
Credit Charles Taylor/iStockphoto
It worried me when my daughter didn't like Star Wars. Even though I told her there was a princess in it, she was wholly unimpressed and, from the start, a little bit creeped out by Darth Vader and all the stormtroopers. Granted, she was only 6 when I first tried to bring her into the fold of my obsession, but that was twice as old as I'd been when I'd first fallen hard for the original trilogy. It was ... disconcerting.
Credit Allison Michael Orenstein / Opening Band Films
To many baffled outsiders over 40, Bikini Kill frontwoman Kathleen Hanna was a weirdo riot grrrl bopping up and down onstage in her bra and panties, bellowing atonal revenge lyrics at anyone who'd keep her and her fellow women down.
To her ardent young following of 1990s Third Wave feminists, though, Hanna was an alt Messiah, hacking out a space for women in the punk-rock mosh pit and sounding an enraged alarm on behalf of victims of sexual assault.
Like Eve's Bayou, her best-known movie, Kasi Lemmons' Black Nativity presents a child's view of a troubled family. The latter film is sweeter and slenderer, but that's only to be expected: Black Nativity is a musical, after all, as well as a credible attempt at an African-American holiday perennial.
The original Black Nativity is a gospel-music oratorio, conceived by poet Langston Hughes and first performed in 1961. It pairs the Christian Nativity story with traditional spirituals and African drumming.
Some movies try to underscore their authenticity by flashing dates, names and locations on the screen. Mandela: Long Walk to Freedom offers some dates and locations, but not much in the way of names. The result is a history of national transformation in which only two people really seem to matter.
In an annual tradition, writer Bailey White spins a fictional tale of love and life. This year's entry is about a woman dying of cancer who is attended to by a series of old boyfriends, each of whom contributes some sort of minor service. The story ends with a symbolic event at an old hollow tree in the woods, where a coiled snake meets a violent end.
The deadline is looming for "wrimos" — writers challenged to clock in a 50,000 word novel by November 30th.
"We're the largest writing event in the world," says Grant Faulkner, executive director of the Berkeley-based non-profit NaNoWriMo — short for National Novel Writing Month. "People's to-do list revolves around food and shelter, but I would say that creativity is a necessity of life, so we need to do what we can to nurture more creators in the world."