Arts

Arts and culture

In 2012, Tig Notaro walked onto the stage at LA's Largo Theater and said this: "Good evening hello, I have cancer, how are you? Hi, how are you? Is everybody having a good time? I have cancer. How are you?"

Notaro was in the middle of one of the worst years of her life, dealing with serious illness, a breakup and the death of her mother.

In 2004, Susan Faludi stepped off a plane in Budapest, Hungary to visit her father, a sometimes violent man with whom she'd barely spoken in over 25 years.

The reunion was prompted by an email she'd received from her then 76-year-old father announcing that "after years of impersonating a macho man" he, or rather, she, had undergone sex reassignment surgery. Faludi's father, "Steven," was now "Stefanie." Here's how Faludi describes their airport reunion:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

There's a possibly inadvertent but telling double-entendre in the title of Alain de Botton's new book. The Course of Love is his first novel since On Love (1993), which inventively tracked the trajectory of a love affair from the ecstasy of infatuation to the utter despair of its demise. Half his lifetime and more than a dozen nonfiction titles later, this followup about the 14-year rocky road to romantic reality of a couple living in Edinburgh reveals the constancy of de Botton's concern with the arc of relationships.

The mechanics of DC Comics' latest relaunch of its superhero line — precisely which books are returning to their original numbering, and the fact that several titles will now be published twice monthly, etc. — have engendered much discussion among retailers and collectors.

But let's talk big picture.

It is a truth universally acknowledged that superhero universes periodically reshuffle their narrative decks. The in-story explanations differ in often tortuous ways, but the only true driver is sales. Or, rather, a lack of them.

A lot of what we read and watch comes to us through recommendation algorithms. Amazon tells us: People who bought this book also bought this other book, and Netflix says: Because you watched this movie, we think you should watch this other movie. And we welcome our new recommendation robot overlords!

But this summer, we're going old school — because we haven't found an algorithm that says: If you loved this movie, you'll devour this graphic novel. (Or like this podcast, enjoy this short story ... you get the idea.)

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It's good to be Regina King.

For decades, she's worked in front of the camera as an actress. Now, she's building a career in the director's chair.

On the Warner Bros.' backlot in Burbank recently, King commanded the cast and crew of Animal Kingdom, TNT's new dramatic series about a family of outlaws in Southern California. It's based on an Australian movie; this version features Ellen Barkin as the matriarch, living with her four bad boy sons in a ranch-style house full of skateboards and surfboards, complete with a real, working swimming pool.

In August of 2015, I wrote a list of five fictional TV shows representing some of the ideas networks seem to return to over and over (and over) again. One of the entries read like this:

Tea Tuesday: Meet The Chai Wallahs Of India

Jun 14, 2016

On virtually every other street corner, in every city or town or village in India, there is a chai wallah — a tea vendor who supplies the piping hot, milky brew that fuels the country.

And because everybody — politicians, rickshaw drivers, schoolteachers — needs a daily cuppa, chai wallahs get to meet people from every walk of life.

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