Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Arizona Hispanics Poised To Swing State Blue

37 minutes ago
Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Edit note: This report contains accounts of rape, violence and other disturbing events.

Sex trafficking wasn't a major concern in the early 1980s, when Beth Jacobs was a teenager. If you were a prostitute, the thinking went, it was your choice.

Jacobs thought that too, right up until she came to on the lot of a dark truck stop one night. She says she had asked a friendly-seeming man for a ride home that afternoon.

Jacobs says he gave her something in an old McDonald's cup — a drug — and as she was waking up the man announced that he was a pimp. Her pimp.

The Boston Citgo sign, all 3,600 square LED feet of which has served as the backdrop to Red Sox games since 1965, is now officially a "pending landmark."

Spanish Surrealist Salvador Dalí spent much of the 1940s in the U.S., avoiding World War II and its aftermath. He was a well-known fixture on the art scene in Monterey, Calif. — and that's where the largest collection of Dalí's work on the West Coast is now open to the public.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.


The Women In Charge Of The Band

Mar 29, 2013
Originally published on March 29, 2013 2:54 pm

The narrative of jazz history often credits the music as a powerful, progressive force for racial integration in American culture. But what about gender equality? On that score, jazz in its first few decades would have to be given a less than stellar grade.

Jazz critic George Simon embodied the belief of many when he wrote that "only God can make a tree, and only men can play good jazz." Although female singers were generally accepted and often spotlighted with the big bands, female instrumentalists found the going much more difficult. While the draft depleted the ranks of male musicians in the World War II years, creating opportunities for female players and the so-called all-girl bands, the attitudes of most bandleaders, promoters and bandstand colleagues remained in keeping with Simon's sentiment.

In spite of this brass ceiling, numerous female artists — such as trombonist and arranger Melba Liston, conductor Ina Ray Hutton, vibraphonist Marjorie Hyams, pianist Marian McPartland and guitarist Mary Osborne — managed to make significant contributions. Today the environment is more hospitable for female musicians, exemplified recently by drummer Terri Lyne Carrington's all-woman album The Mosaic Project grabbing top Grammy honors for Best Jazz Vocal album in 2012.

Here are five more women (two of them alive and active) who have left their mark on jazz history in leadership roles.

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