When the United Kingdom voted to leave the European Union last month, the seaside town of Port Talbot in Wales eagerly went along with the move. Brexit was approved by some 57 percent of the town's residents.

Now some of them are wondering if they made the wrong decision.

The June 23 Brexit vote has raised questions about the fate of the troubled Port Talbot Works, Britain's largest surviving steel plant — a huge, steam-belching facility that has long been the town's biggest employer.

Solar Impulse 2 has landed in Cairo, completing the penultimate leg of its attempt to circumnavigate the globe using only the power of the sun.

The trip over the Mediterranean included a breathtaking flyover of the Pyramids. Check it out:

President Obama is challenging Americans to have an honest and open-hearted conversation about race and law enforcement. But even as he sits down at the White House with police and civil rights activists, Obama is mindful of the limits of that approach.

"I've seen how inadequate words can be in bringing about lasting change," the president said Tuesday at a memorial service for five law officers killed last week in Dallas. "I've seen how inadequate my own words have been."

Mice watching Orson Welles movies may help scientists explain human consciousness.

At least that's one premise of the Allen Brain Observatory, which launched Wednesday and lets anyone with an Internet connection study a mouse brain as it responds to visual information.

The FBI says it is giving up on the D.B. Cooper investigation, 45 years after the mysterious hijacker parachuted into the night with $200,000 in a briefcase, becoming an instant folk figure.

"Following one of the longest and most exhaustive investigations in our history," the FBI's Ayn Dietrich-Williams said in a statement, "the FBI redirected resources allocated to the D.B. Cooper case in order to focus on other investigative priorities."

This is the first in a series of essays concerning our collective future. The goal is to bring forth some of the main issues humanity faces today, as we move forward to uncertain times. In an effort to be as thorough as possible, we will consider two kinds of threats: those due to natural disasters and those that are man-made. The idea is to expose some of the dangers and possible mechanisms that have been proposed to deal with these issues. My intention is not to offer a detailed analysis for each threat — but to invite reflection and, hopefully, action.

Alabama authorities say a home burglary suspect has died after police used a stun gun on the man.  Birmingham police say he resisted officers who found him in a house wrapped in what looked like material from the air conditioner duct work.  The Lewisburg Road homeowner called police Tuesday about glass breaking and someone yelling and growling in his basement.  Police reportedly entered the dwelling and used a stun gun several times on a white suspect before handcuffing him.  Investigators say the man was "extremely irritated" throughout and didn't obey verbal commands.

It can be hard to distinguish among the men wearing grey suits and regulation haircuts on Pennsylvania Avenue in Washington. But David Margolis always brought a splash of color.

It wasn't his lovably disheveled wardrobe, or his Elvis ring, but something else: the force of his flamboyant personality. Margolis, a graduate of Harvard Law School, didn't want to fit in with the crowd. He wanted to stand out.

Montgomery Education Foundation's Brain Forest Summer Learning Academy was spotlighted Wednesday at Carver High School.  The academic-enrichment program is for rising 4th, 5th, and 6th graders in the Montgomery Public School system.  Community Program Director Dillion Nettles, says the program aims to prevent learning loss during summer months.  To find out how your child can participate in next summer's program visit Montgomery-ed.org

A police officer is free on bond after being arrested following a rash of road-sign thefts in southeast Alabama.  Brantley Police Chief Titus Averett says officer Jeremy Ray Walker of Glenwood is on paid leave following his arrest in Pike County.  The 30-year-old Walker is charged with receiving stolen property.  Lt. Troy Johnson of the Pike County Sheriff's Office says an investigation began after someone reported that Walker was selling road signs from Crenshaw County.  Investigators contacted the county engineer and learned signs had been reported stolen from several roads.

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'Trouble Man' At 40: A Classic, But Where's Its Cult?

Dec 14, 2012

Forty years ago, Trouble Man was released in theaters. Penned and produced by screenwriter John D.F. Black, it screens like a re-imagining of Shaft -- another "blaxploitation" film released nearly a year earlier. In fact, Black shared writing credits on Shaft with author Ernest Tidyman, a Cleveland police reporter turned pulp fiction novelist and screenwriter.

And really, you can't talk about Trouble Man without talking about Shaft. Both movies were different, necessary takes on two pervasive black male tropes of the day: Richard Roundtree's John Shaft as the burgeoning black hipster; and Robert Hooks' Mr. T, the working-class public benefactor and race man. Both were emblematic of the new New Negro reborn out of civil rights-era America.

Where Shaft is bubblegum blaxploitation, Trouble Man is a detective story for black folks that mostly cleaves to the tried-and-true conventions of the genre. And so we have two films, released within a year of each other, that both look unforgettable on paper — yet only one endures. Shaft is the better-known picture, but Trouble Man is a strong film with a legacy hobbled by three things.

Beyond his car, Mr. T lacks any readily accessible iconography for a mass audience. He has a love for nice suits and drives a Lincoln Continental, but doesn't sport much else in the way of strong visual artifacts or signifiers. Many other black movies of the era feature men clad in black leather, wearing Afros — both fashions heavily associated with the Black Panther Party. These visual hooks were appreciated back in the day by the black audience — and were curious, even frightening, to the white one.

On the poster and in the trailer for Trouble Man, Mr. T screens merely as an angry black man with a gun — an image that made white folks afraid then and in later years, not an image designed to generate box-office gold from a wide audience.

Second, Mr. T is not a man without politics. Shaft is a New York bohemian with an easy East Village demeanor; Mr. T is very West Coast, cool and radical, a race man through and through. A private detective with a pool hustle on the side — can you dig it? Shaft has no politics whatsoever; Mr. T works in the 'hood, for the 'hood. That narrative wasn't built to resonate with everyone.

Neither suffers fools gladly, but Mr. T sincerely does not like white people; he's so pro-black as to be nearly anti-white. He very deliberately doesn't share Shaft's affinity for white women.

Lastly, Shaft is a movie driven by music, where Trouble Man is pure story, no filler. Isaac Hayes' soundtrack to Shaft helps a weak script drag the story along. As revered as Marvin Gaye's soundtrack for Trouble Man may be, it doesn't work hard or well in the movie; it functions best by itself, as dinner-party music or a prelude to an evening's seduction. It's a record many whites have never heard of, but it remains a staple in many black record collections to this day. Hayes made a record that got airplay; Gaye made a record for himself and others who were feeling his vibe.

These films, both scripted by white men, tell nearly identical stories. Both are groundbreaking films in their own way, but Shaft is a pop-culture staple, while Trouble Man never had an entry point for mainstream audiences to grasp. It is a truer form of blaxploitation — less a genre film packaged for crossover, more a complete work with a narrative tailored for a specific audience that was hungry for no-nonsense heroes. Some count it among the best of its kind, some count it among the worst.

Forty years on, the debate still rages. Check it out and be your own judge.

Copyright 2012 National Public Radio. To see more, visit http://www.npr.org/.