Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Arizona Hispanics Poised To Swing State Blue

43 minutes ago
Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Edit note: This report contains accounts of rape, violence and other disturbing events.

Sex trafficking wasn't a major concern in the early 1980s, when Beth Jacobs was a teenager. If you were a prostitute, the thinking went, it was your choice.

Jacobs thought that too, right up until she came to on the lot of a dark truck stop one night. She says she had asked a friendly-seeming man for a ride home that afternoon.

Jacobs says he gave her something in an old McDonald's cup — a drug — and as she was waking up the man announced that he was a pimp. Her pimp.

The Boston Citgo sign, all 3,600 square LED feet of which has served as the backdrop to Red Sox games since 1965, is now officially a "pending landmark."

Spanish Surrealist Salvador Dalí spent much of the 1940s in the U.S., avoiding World War II and its aftermath. He was a well-known fixture on the art scene in Monterey, Calif. — and that's where the largest collection of Dalí's work on the West Coast is now open to the public.

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Tootie Heath And Matt Wilson On JazzSet

Apr 4, 2013
Originally published on June 20, 2014 5:14 pm

Tootie Heath says the drummer's responsibility is to be happy. There's no better believer in the happiness ethic than Matt Wilson — and we're happy, too, grooving first to Heath, then Wilson, in highlights of sets from August and September 2012.

Born in 1935 as the youngest of three brothers headed for great jazz careers, Albert "Tootie" Heath crosses two generations to join this trio with pianist Ethan Iverson and bassist Ben Street.

Iverson — the blogger behind Do the Mathreminds the audience that Heath was an associate of pianist Mal Waldron, composer of "Fire Waltz," featured on this set. Iverson recommends Waldron's album Impressions (1959), with Addison Farmer on bass and Albert Heath on drums. That may be hard to find.

Matt Wilson extends the joyful communion with past composers, as Arts & Crafts opens with "Little Boy With the Sad Eyes" from trumpeter Nat Adderley (Autobiography, 1964) and closes with "Pumpkin's Delight" by saxophonist Charles Rouse. Terell Stafford is the trumpeter. Gary Versace doubles on piano and a two-console organ, walking his left hand in the lower register when contrabassist Martin Wind plays solo melodies. "We're playing in the sonic sandbox tonight," Wilson says.

Wilson calls Heath's drum sound "transparent," and Heath praises Iverson for leaving enough space for him and Street to establish and let the beat flow. "Everybody feels it — not just the musicians, but the people in the club, too," Tootie says. And we're the people, on JazzSet.

WBGO presented live video webcasts of both groups, and archived both sets: Iverson/Street/Heath and Matt Wilson's Arts and Crafts.

Tootie Heath's new album with this trio, Tootie's Tempo, is now out from Sunnyside. And Matt Wilson's new album from Palmetto, The Gathering Call, is just out as well.

Heath Trio Personnel

  • Ethan Iverson, piano
  • Ben Street, bass
  • Albert "Tootie" Heath, drums

Set List

  • "Nice Work If You Can Get It" (Gershwins)
  • "Insensatez/How Insensitive" (Antonio Carlos Jobim)
  • "Fire Waltz" (Mal Waldron)
  • "Charleston" (James P. Johnson)
  • "How Long Has This Been Going On?" (Gershwins)
  • "Reets And I" (Benny Harris)

Arts And Crafts Personnel

  • Matt Wilson, drums
  • Terell Stafford, trumpet
  • Gary Versace, keyboards
  • Martin Wind, bass

Set List

  • "Little Boy With The Sad Eyes" (Nat Adderley)
  • "Stolen Time" (Wilson)
  • "Pumpkin's Delight" (Charles Rouse)


Thanks to WBGO's Josh Jackson, producer of Live At The Village Vanguard, with recording engineer David Tallacksen and assistant Michael Downes. Our web producer is Patrick Jarenwattananon of NPR Music. Surround Sound mixes by Duke Markos.

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