The Boston Citgo sign, all 3,600 square LED feet of which has served as the backdrop to Red Sox games since 1965, is now officially a "pending landmark."

Spanish Surrealist Salvador Dalí spent much of the 1940s in the U.S., avoiding World War II and its aftermath. He was a well-known fixture on the art scene in Monterey, Calif. — and that's where the largest collection of Dalí's work on the West Coast is now open to the public.

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The middle of summer is when the surprises in publishing turn up. I'm talking about those quietly commanding books that publishers tend to put out now, because fall and winter are focused on big books by established authors. Which brings us to The Dream Life of Astronauts, by Patrick Ryan, a very funny and touching collection of nine short stories that take place in the 1960s and '70s around Cape Canaveral, Fla.

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This is the first in a series of essays concerning our collective future. The goal is to bring forth some of the main issues humanity faces today, as we move forward to uncertain times. In an effort to be as thorough as possible, we will consider two kinds of threats: those due to natural disasters and those that are man-made. The idea is to expose some of the dangers and possible mechanisms that have been proposed to deal with these issues. My intention is not to offer a detailed analysis for each threat — but to invite reflection and, hopefully, action.


Secrets, Lies And The Allure Of The Illicit

Feb 14, 2013

By the time Wendy Plump learned from a friend that her husband had a longtime mistress and an 8-month-old son living just a mile away, their union was already pockmarked with the scars of adultery — both his and hers. She divulges all this and more in Vow, her at times jaw-droppingly frank but ultimately instructive post-mortem on their 18-year marriage.

You may well wonder why someone would go public with such intimate, painful details of her personal life. Plump's candor apparently comes naturally: A newspaper and magazine reporter and self-declared "fool in the court of conspicuous declaration," she's open with her friends and family and skilled at asking searching questions and shaping stories. "I was born on the windy side of the personality island," Plump writes. "The leeward side bores me. If it's blowing a gale of emotion, that is where I want to be."

Outspoken she may be, but she's no windbag. Plump first shared her cautionary tale about the toll of infidelity in a much-celebrated New York Times Modern Love column in 2010. Vow expands on that essay, without the padding that so often mars such offshoots.

While literature has always taken adultery as one of its great themes — Madame Bovary, Anna Karenina and Updike's Couples come readily to mind — nonfiction books on the subject tend to be sanctimonious accounts of political or celebrity scandals. (Two notable exceptions include Daphne Gottlieb's 2005 anthology, Homewrecker, and Pamela Druckerman's examination of adultery around the world, Lust in Translation, from 2008.) In addition to being strikingly well-written, what separates Vow from most personal accounts of adultery is Plump's forthrightness about her less-than-chaste record as a wife. It's rare to see infidelity portrayed in the round — from the perspective of both betrayer and betrayed.

The self-portrait that emerges is of an outgoing, outdoorsy and highly physical angular blonde. Plump loves to hunt, fish and drink with the guys. She reminds us repeatedly — and a bit defensively — that, with the exception of a brief fling with an old friend, her affairs all came early in her marriage, before the birth of her two sons.

About those affairs, Plump conveys the intoxicating combination of "appetite and impulse" behind her dalliances: "What I wanted most ... was the drug and energy of passion, of new intimacy." But she also describes the angst and guilt of fabricating alibis to explain her whereabouts while her husband traveled on business. She mines her own personal experiences to extract the universal, likening affairs to addiction, "half miserable, half bliss." Each time, she found the "unbearable mix of yearning and regret" unsustainable, and came clean of her own accord. Besides, despite her difficulty with monogamy, she believes in a commitment to marriage over the long haul: "I may have strayed. I would never have left."

Her husband's affairs, on the other hand, began later and impinged on the couple's child-rearing. Even after she found out, he refused to discuss them. Readers will question her determination to save the marriage given the severe disconnect she portrays — but perhaps that's just the clarity of hindsight. From their meeting in college, her husband was "an even flame to my reckless burn. He was not affectionate and he was not demonstrative. I am both, in spades," she writes. Of greater consequence was the fact that "right back to the beginning, there was never enough revelation in our relationship, never enough said."

When she discovered his first affair in 1994, with a stripper, she wondered if it was triggered by her earlier transgressions and forgave him readily. His 10-year relationship and out-of-wedlock son, which she learned about in 2005, were a different story. It was, she writes, "one of those affairs that shock the whole pond and change all the life forms in it. So that nothing could thrive there afterward."

After losing husband, house and even her sons half-time to joint custody, Plump ruefully acknowledges how much energy she expended on adultery. "Of all the things there are to do on the planet, my husband and I picked one hell of a pastime," she writes in this gutsy, intelligent examination of vows and the tantalizing allure of the illicit.

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