Alabama authorities say a home burglary suspect has died after police used a stun gun on the man.  Birmingham police say he resisted officers who found him in a house wrapped in what looked like material from the air conditioner duct work.  The Lewisburg Road homeowner called police Tuesday about glass breaking and someone yelling and growling in his basement.  Police reportedly entered the dwelling and used a stun gun several times on a white suspect before handcuffing him.  Investigators say the man was "extremely irritated" throughout and didn't obey verbal commands.

Montgomery Education Foundation's Brain Forest Summer Learning Academy was spotlighted Wednesday at Carver High School.  The academic-enrichment program is for rising 4th, 5th, and 6th graders in the Montgomery Public School system.  Community Program Director Dillion Nettles, says the program aims to prevent learning loss during summer months.  To find out how your child can participate in next summer's program visit Montgomery-ed.org

A police officer is free on bond after being arrested following a rash of road-sign thefts in southeast Alabama.  Brantley Police Chief Titus Averett says officer Jeremy Ray Walker of Glenwood is on paid leave following his arrest in Pike County.  The 30-year-old Walker is charged with receiving stolen property.  Lt. Troy Johnson of the Pike County Sheriff's Office says an investigation began after someone reported that Walker was selling road signs from Crenshaw County.  Investigators contacted the county engineer and learned signs had been reported stolen from several roads.

NPR Politics presents the Lunchbox List: our favorite campaign news and stories curated from NPR and around the Web in digestible bites (100 words or less!). Look for it every weekday afternoon from now until the conventions.

Convention Countdown

The Republican National Convention is in 4 days in Cleveland.

The Democratic National Convention is in 11 days in Philadelphia.

NASA has released the first picture of Jupiter taken since the Juno spacecraft went into orbit around the planet on July 4.

The picture was taken on July 10. Juno was 2.7 million miles from Jupiter at the time. The color image shows some of the atmospheric features of the planet, including the giant red spot. You can also see three of Jupiter's moons in the picture: Io, Europa and Ganymede.

The Senate is set to approve a bill intended to change the way police and health care workers treat people struggling with opioid addictions.

My husband and I once took great pleasure in preparing meals from scratch. We made pizza dough and sauce. We baked bread. We churned ice cream.

Then we became parents.

Now there are some weeks when pre-chopped vegetables and a rotisserie chicken are the only things between us and five nights of Chipotle.

Parents are busy. For some of us, figuring out how to get dinner on the table is a daily struggle. So I reached out to food experts, parents and nutritionists for help. Here is some of their (and my) best advice for making weeknight meals happen.

"O Canada," the national anthem of our neighbors up north, comes in two official versions — English and French. They share a melody, but differ in meaning.

Let the record show: neither version of those lyrics contains the phrase "all lives matter."

But at the 2016 All-Star Game, the song got an unexpected edit.

At Petco Park in San Diego, one member of the Canadian singing group The Tenors — by himself, according to the other members of the group — revised the anthem.

School's out, and a lot of parents are getting through the long summer days with extra helpings of digital devices.

How should we feel about that?

Police in Baton Rouge say they have arrested three people who stole guns with the goal of killing police officers. They are still looking for a fourth suspect in the alleged plot, NPR's Greg Allen reports.

"Police say the thefts were at a Baton Rouge pawn shop early Saturday morning," Greg says. "One person was arrested at the scene. Since then, two others have been arrested and six of the eight stolen handguns have been recovered. Police are still looking for one other man."

A 13-year-old boy is among those arrested, Greg says.

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In 'Nobody Walks,' Lena Dunham's Lost 'Girls' Relocate To Heavier Drama

Oct 31, 2012

A friend of mine — whose opinion is shared by hosts of viewers — has griped about Lena Dunham and the fame of Girls and its cast members: "Everybody talks like they're the voice of our 'lost generation,'" she said. "But their parents are all famous people." In other words, the complaint goes, the extent of the Girls cast's success comes from the connections available to them.

Yes — Dunham comes from artistic stock; her mother is Laurie Simmons, the famed photographer, and her father is a painter whose work is featured in MoMA's permanent collection. But credit must be given where it is due: Lena Dunham is, if anything, supremely motivated and particularly resourceful. She came out with a web series, Downtown Delusional Divas, and her first feature-length film, Creative Nonfiction, while studying at Oberlin. Not long after graduation, she released her second feature, Tiny Furniture. Now, at 26, she's the writer and star of the HBO series Girls. Family influence aside, that's a lot better than the post-graduate months I spent looking at job postings while eating Hot Pockets for breakfast.

And just as you'd expect from a savvy writer of her generation, she's been able to successfully mine and exploit her personal experience for good material. Her work thus far has channeled a tone that mocks the privilege and indulgence of her lot: Her characters whine and accept their parents' money while making clear that they (the grown-up girls) pay a whole half of their BlackBerry bills on their own; they see themselves as struggling artists, but come home to TriBeCa lofts. And you, the viewer, can laugh, precisely because they're pathetic. The Paradox of Lena Dunham is that it's hard to hate her for being spoiled when she knows it as well as you do.

Dunham has found a successful shtick — creating big, hot messes who are easy to sympathize with — and with a new multi-million dollar book deal, she's building it into a comedy empire. But she, unlike her characters, isn't stuck in arrested development; though Dunham's made a career off of being funny and pathetic, her latest piece of writing, the film Nobody Walks, shows that she's heading in a new and somewhat surprising direction. This one isn't that funny, and that's intentional. It's also not that engaging, however, which is a bigger problem.

Winner of a Special Jury Prize at Sundance, Nobody Walks is co-written by Dunham and Ry Russo-Young, who also directs. It's a departure from the self-conscious, mocking tone of Girls; Nobody is Dunham's entry into non-comedic filmmaking (and filmmaking in which she doesn't also star), about serious people in serious situations. In fact, in the end, the movie takes itself a little too seriously.

The film follows 23-year-old Martine (Olivia Thirlby), an attractive visual artist whose latest work brings her to crash with friends of friends, Peter (John Krasinski) and Julie (a fantastic Rosemarie Dewitt), in their Los Angeles pool house. Peter's a sound designer who's offered to help Martine on the audio elements of her new art film. It's about insects, and she and Peter immediately hit it off while brainstorming and recording audio for her work.

Of course, said hitting it off is complicated by Peter's marriage to Julie, a therapist with her own troubles, mainly a hot-and-hotter patient who uses his sessions to explore his feelings for her. They have two kids: Julie's daughter from a previous marriage, who can't wait to be something other than 16, and their son, who at about seven years old, makes the very youthful Peter seem an improbably young father.

The formula's clear, and the pending consequences are, too: young woman moves into married couple's home, tensions creep their way into the household. For Julie, Peter's obvious attraction to their houseguest isn't the problem as much as how he chooses to take care of it: "Just don't embarrass me," she says.

Nobody Walks identifies Martine as the source of all the heat rising in the air, but never successfully pinpoints her intentions. Martine is beautiful, lost and carefree with her magnetic energy — an energy that pulls people in, at the risk of leaving certain things (reason among them) behind. Like many of Dunham's characters, Martine is a variant of the confused and broken millennial. But all her charm and magnetism aren't enough to cover up the degree to which she is inconsiderate and careless; it makes you dislike her, and that hurts the film.

Dunham's effort here is worth noticing for those who are following her development as a writer, and she, along with Russo-Young, possess a skill for nuance and for presenting contemplative, slow seductions on screens big and small. But Dunham's dramatic sensibilities aren't as honed as her comedic ones, and some of the best qualities of her other work turns up missing. She's made her name writing characters like Hannah Horvath — and her friend Jessa, a closer cousin to Martine — who embody the rising generation of out-of-touch twentysomethings. What's made them relatable is a ready acknowledgement of their failings and their standing invitation to mock — and empathize with — their misfortunes and self-interest. While Martine is sexy, charming, magnetic — an aspirational character in some ways — she takes herself too seriously, and represents a lot of the worst of her generation: She's selfish, inconsiderate and lacks empathy. It's not that the broken millennial is only sympathetic when self-deprecation is involved, but unlike Hannah, we know Martine's not going to think or write about the family drama later; unaffected, she'll continue on, leaving behind a mass of confusion and hurt feelings as she heads for the door.

The problem with the characters in Nobody Walks is that — except for Rosemarie Dewitt's Julie — they inspire dislike, or at best indifference. Dunham's usual strength is in making her audience feel both disdain and sympathy for her characters; this time, there's plenty of the former but not enough of the latter. In removing her brand of self-mocking humor from the film, Dunham's also removed a layer of self-awareness from her titular character. A serious drama — following a character who helps wreak chaos, and without remorse — is intentionally a lot less funny than Dunham's previous material; it's also, unintentionally, a lot less interesting to watch.

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