The Boston Citgo sign, all 3,600 square LED feet of which has served as the backdrop to Red Sox games since 1965, is now officially a "pending landmark."

Spanish Surrealist Salvador Dalí spent much of the 1940s in the U.S., avoiding World War II and its aftermath. He was a well-known fixture on the art scene in Monterey, Calif. — and that's where the largest collection of Dalí's work on the West Coast is now open to the public.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

The middle of summer is when the surprises in publishing turn up. I'm talking about those quietly commanding books that publishers tend to put out now, because fall and winter are focused on big books by established authors. Which brings us to The Dream Life of Astronauts, by Patrick Ryan, a very funny and touching collection of nine short stories that take place in the 1960s and '70s around Cape Canaveral, Fla.

When the United Kingdom voted to leave the European Union last month, the seaside town of Port Talbot in Wales eagerly went along with the move. Brexit was approved by some 57 percent of the town's residents.

Now some of them are wondering if they made the wrong decision.

The June 23 Brexit vote has raised questions about the fate of the troubled Port Talbot Works, Britain's largest surviving steel plant — a huge, steam-belching facility that has long been the town's biggest employer.

Solar Impulse 2 has landed in Cairo, completing the penultimate leg of its attempt to circumnavigate the globe using only the power of the sun.

The trip over the Mediterranean included a breathtaking flyover of the Pyramids. Check it out:

President Obama is challenging Americans to have an honest and open-hearted conversation about race and law enforcement. But even as he sits down at the White House with police and civil rights activists, Obama is mindful of the limits of that approach.

"I've seen how inadequate words can be in bringing about lasting change," the president said Tuesday at a memorial service for five law officers killed last week in Dallas. "I've seen how inadequate my own words have been."

Mice watching Orson Welles movies may help scientists explain human consciousness.

At least that's one premise of the Allen Brain Observatory, which launched Wednesday and lets anyone with an Internet connection study a mouse brain as it responds to visual information.

The FBI says it is giving up on the D.B. Cooper investigation, 45 years after the mysterious hijacker parachuted into the night with $200,000 in a briefcase, becoming an instant folk figure.

"Following one of the longest and most exhaustive investigations in our history," the FBI's Ayn Dietrich-Williams said in a statement, "the FBI redirected resources allocated to the D.B. Cooper case in order to focus on other investigative priorities."

This is the first in a series of essays concerning our collective future. The goal is to bring forth some of the main issues humanity faces today, as we move forward to uncertain times. In an effort to be as thorough as possible, we will consider two kinds of threats: those due to natural disasters and those that are man-made. The idea is to expose some of the dangers and possible mechanisms that have been proposed to deal with these issues. My intention is not to offer a detailed analysis for each threat — but to invite reflection and, hopefully, action.

Pages

Lionel Loueke Trio On JazzSet

Jan 31, 2013
Originally published on June 23, 2014 10:03 am

Lionel Loueke was born in Benin, West Africa, in 1973. As a youngster, he sang and played percussion, but didn't really take up the guitar until the age of 17. Loueke was so gifted on the instrument that he was sent to study music at the Ivory Coast's Institute of Art. He continued on to the American School of Modern Music in Paris, where he turned heads, and in 1999 came to America on scholarship to the Berklee College of Music in Boston.

Loueke was also accepted into the prestigious Thelonious Monk Institute for Jazz Performance. There, he studied with jazz movers and shakers Terence Blanchard and Herbie Hancock, and began crafting his own artistic vision.

"I have two heritages: One is from my ancestors in Africa, and that goes through my music, my body, my soul," Loueke says. "But I also have a heritage from the West, from Europe and the U.S. I've been blessed by all different parts of the world, and my songs reflect that."

Loueke often opens his songs with his voice expanded in harmony, as he plays a single line on his guitar and then fans out from that. Everything is part of a curve. The music grows, as the band revels in itself and then slims back down. No hurry.

The New York Times writer Jon Pareles called Lionel Loueke "the gentle virtuoso" for the engaging way Loueke melds African guitar traditions with jazz harmony. Loueke gets African-style rhythms going, tapping on his guitar and using his effects pedals. He sings and harmonizes with his own voice. With players who are also his dear friends — bassist Michael Olatuja and drummer Mark Guiliana — the Lionel Loueke Trio explores music from Heritage, produced by labelmate Robert Glasper.

Set List

  • "Ife"
  • "Hope"
  • "Farafina"
  • "Bayyinah" (Glasper)

Personnel

  • Lionel Loueke, guitar and vocals
  • Michael Olatuja, bass
  • Mark Guiliana, drums

Credits

Recording by Greg Hartman of the Kennedy Center, Surround Sound mix by Duke Markos.

Copyright 2014 WBGO-FM. To see more, visit http://www.wbgo.org.