The Boston Citgo sign, all 3,600 square LED feet of which has served as the backdrop to Red Sox games since 1965, is now officially a "pending landmark."

Spanish Surrealist Salvador Dalí spent much of the 1940s in the U.S., avoiding World War II and its aftermath. He was a well-known fixture on the art scene in Monterey, Calif. — and that's where the largest collection of Dalí's work on the West Coast is now open to the public.

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The middle of summer is when the surprises in publishing turn up. I'm talking about those quietly commanding books that publishers tend to put out now, because fall and winter are focused on big books by established authors. Which brings us to The Dream Life of Astronauts, by Patrick Ryan, a very funny and touching collection of nine short stories that take place in the 1960s and '70s around Cape Canaveral, Fla.

When the United Kingdom voted to leave the European Union last month, the seaside town of Port Talbot in Wales eagerly went along with the move. Brexit was approved by some 57 percent of the town's residents.

Now some of them are wondering if they made the wrong decision.

The June 23 Brexit vote has raised questions about the fate of the troubled Port Talbot Works, Britain's largest surviving steel plant — a huge, steam-belching facility that has long been the town's biggest employer.

Solar Impulse 2 has landed in Cairo, completing the penultimate leg of its attempt to circumnavigate the globe using only the power of the sun.

The trip over the Mediterranean included a breathtaking flyover of the Pyramids. Check it out:

President Obama is challenging Americans to have an honest and open-hearted conversation about race and law enforcement. But even as he sits down at the White House with police and civil rights activists, Obama is mindful of the limits of that approach.

"I've seen how inadequate words can be in bringing about lasting change," the president said Tuesday at a memorial service for five law officers killed last week in Dallas. "I've seen how inadequate my own words have been."

Mice watching Orson Welles movies may help scientists explain human consciousness.

At least that's one premise of the Allen Brain Observatory, which launched Wednesday and lets anyone with an Internet connection study a mouse brain as it responds to visual information.

The FBI says it is giving up on the D.B. Cooper investigation, 45 years after the mysterious hijacker parachuted into the night with $200,000 in a briefcase, becoming an instant folk figure.

"Following one of the longest and most exhaustive investigations in our history," the FBI's Ayn Dietrich-Williams said in a statement, "the FBI redirected resources allocated to the D.B. Cooper case in order to focus on other investigative priorities."

This is the first in a series of essays concerning our collective future. The goal is to bring forth some of the main issues humanity faces today, as we move forward to uncertain times. In an effort to be as thorough as possible, we will consider two kinds of threats: those due to natural disasters and those that are man-made. The idea is to expose some of the dangers and possible mechanisms that have been proposed to deal with these issues. My intention is not to offer a detailed analysis for each threat — but to invite reflection and, hopefully, action.


Jason Moran's 'Live: Time On The Quilts Of Gee's Bend' Suite On JazzSet

Feb 7, 2013
Originally published on June 23, 2014 10:00 am

The Philadelphia Museum of Art recently commissioned Jason Moran to write music in conjunction with its exhibition of quilts made by a remarkable group of African-American women in a small rural community on a bend in the Alabama River.

The quilting tradition there dates back to pre-Civil War days, when slaves began sewing together strips of whatever fabric they could find to make bed covers and keep their families warm. It's a unique style with bold geometric designs and colors, handed down from one generation to the next, from the hard years of tenant farming after the Civil War to the Civil Rights era. The isolation of the community made the quilt designs unique, and in time the artistic merits of the quilts from Gee's Bend received international recognition.

In September 2002, the Museum of Fine Arts in Houston hosted a special exhibition featuring quilts by Annie Mae Young, Loretta Pettway, Mary Lee Bendolph and others. The quilts proved so popular that they toured museums around the country. The U.S. Postal Service even issued commemorative postage stamps. New York magazine art critic Mark Stevens wrote, "The strikingly beautiful quilts just might deserve a place among the great works of 20th-century abstract art."

After receiving his commission, Moran, his wife Alicia Hall Moran and family members toured the quilters' homes and workshops, heard their stories and bought their own quilts. Here at the KC Jazz Club, Moran drapes his over a music stand, and members of The Bandwagon "play the quilt," improvising on the patterns. Bill Frisell sets aside his guitar to read his letter to Moran about Frisell's own visit to Gee's Bend — how he took the ferry but went too far and almost missed the warm welcome.

Alicia Moran's voice is the thread running through Live: Time, as she sings the quilters' songs, first recorded in the field in 1941 and compiled on How We Got Over: Sacred Songs of Gee's Bend. She tells the story of a fictional couple — Sidney and her man Clovis, shot by a gun. Rust-colored blood stains the geometric shapes of their bedspread, and love flows, too, but there's more to the story.

The short story "Cold Water for Blood Stains" is by Asali Solomon and featured in the Winter 2013 issue of The Kenyon Review.

Set List

  • "Let Me In / Restin'"
  • "Blue Blocks / Lazy Gal"
  • "Here Am I / Dear Lord"
  • "Crazy"
  • "This World Is A Mean World"
  • "Quilting / Playing The Quilt"
  • "You Ain't Got But One Life To Live / Live: Time"


  • Jason Moran, composer and piano
  • Alicia Hall Moran, vocals
  • Bill Frisell, guitar
  • Tarus Mateen, bass
  • Nasheet Waits, drums


Thanks to the Kennedy Center Jazz team of Kevin Struthers, Jean Thill and Raynel Frazier. Recording by Greg Hartman of the Kennedy Center, Surround Sound remix by Duke Markos. Script for Live:Time is by Mark Schramm.

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