Amid a sweeping crackdown on dissent in Egypt, security forces have forcibly disappeared hundreds of people since the beginning of 2015, according to a new report from Amnesty International.

It's an "unprecedented spike," the group says, with an average of three or four people disappeared every day.

The Republican Party, as it prepares for its convention next week has checked off item No. 1 on its housekeeping list — drafting a party platform. The document reflects the conservative views of its authors, many of whom are party activists. So don't look for any concessions to changing views among the broader public on key social issues.

Many public figures who took to Twitter and Facebook following the murder of five police officers in Dallas have faced public blowback and, in some cases, found their employers less than forgiving about inflammatory and sometimes hateful online comments.

As Venezuela unravels — with shortages of food and medicine, as well as runaway inflation — President Nicolas Maduro is increasingly unpopular. But he's still holding onto power.

"The truth in Venezuela is there is real hunger. We are hungry," says a man who has invited me into his house in the northwestern city of Maracaibo, but doesn't want his name used for fear of reprisals by the government.

The wiry man paces angrily as he speaks. It wasn't always this way, he says, showing how loose his pants are now.

Ask a typical teenage girl about the latest slang and girl crushes and you might get answers like "spilling the tea" and Taylor Swift. But at the Girl Up Leadership Summit in Washington, D.C., the answers were "intersectional feminism" — the idea that there's no one-size-fits-all definition of feminism — and U.N. climate chief Christiana Figueres.

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Arizona Hispanics Poised To Swing State Blue

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Editor's note: This report contains accounts of rape, violence and other disturbing events.

Sex trafficking wasn't a major concern in the early 1980s, when Beth Jacobs was a teenager. If you were a prostitute, the thinking went, it was your choice.

Jacobs thought that too, right up until she came to, on the lot of a dark truck stop one night. She says she had asked a friendly-seeming man for a ride home that afternoon.

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Globetrotting Cartoonist Heads Home In 'User's Guide'

Jun 27, 2013
Originally published on June 27, 2013 12:25 pm

It looks like a last-minute gift, like one of those tiny tomes that live near the register on the counter of your favorite bookstore, hoping to catch the attention (or at least the impulse) of shoppers in the check-out line. Given its digest-sized dimensions and jokey title, you'd be forgiven for assuming A User's Guide to Neglectful Parenting is a hastily assembled collection of cornball homilies, like those miniature books about dads, grads and golf that double as greeting cards this time of year. But don't be fooled.

Guy Delisle is the real thing: a skilled and wryly funny Quebecois cartoonist who happens to be married to an official with the international aid group, Doctors Without Borders. In previous works like Pyongyang and Jerusalem: Chronicles of the Holy City, he's employed a genially stylized line to document life as an expatriate and househusband in some of the world's most tense and troubled places. Delisle doesn't dissect the conflicts around him (as does the rigorously reported work of graphic journalist Joe Sacco, for example). Rather, his cartoons distill the experience of foreignness into a series of allusive and cannily incongruous images, like the cover of his Burma Chronicles, which shows Delisle pushing his son's baby carriage past a fortified guard post, as the armed soldiers regard him with suspicion.

There are no foreign locales at the center of A User's Guide to Neglectful Parenting, and the conflicts Delisle documents this time around are more genetic than geographical. User's Guide is a deceptively light series of gags on the subject of one well-intentioned man's shortcomings as a father. The paternal failings that fall under Delisle's self-accusatory gaze are neither grievous nor shocking, they're the stuff of everyday interactions: forgetting to leave money under the pillow for a child's tooth, hiding a beloved box of cereal from a daughter who doesn't sufficiently appreciate it, playing a comically grisly practical joke on a terrified son who will likely never forget it.

These are petty crimes rooted in mere thoughtlessness, of course, the kind of glancing collateral damage family members inflict on one another all the time. But Delisle deftly contrasts his cartoon avatar's self-involved and self-satisfied actions with their lingering effects on his guileless, po-faced kids. In "The Little Mouse," Delisle gets so worked up by his son's demanding more money from the French equivalent of the Tooth Fairy that he accidently gives the game away in the final panel: "Next time I'm gonna give you this [one-cent coin] here instead of two euros!" The change in his son's expression is subtle – he opens his mouth slightly – but in that tiny shift we can see a long-held belief crumbling to dust.

The brevity of each vignette highlights Delisle's acute sense of timing. In "The Monkey," he allays his daughter's bedtime fears ("There's no such thing as child snatchers," he tells her. "That's all there is to it.") The next panel is silent, as we see an expression of relief cross the girl's face. In the next panel, Delisle stands in the doorway of his daughter's room, regarding her thoughtfully. Now that Delisle the cartoonist has given us readers a beat to absorb this quaint domestic scene, Delisle the dad can proceed to screw it up, as he does in the very next panel.

"There's that story about the monkey, though ..." he says, and proceeds to recount a horrific newspaper story involving a monkey, a baby, and a fall from great heights. The strip ends with the girl staring up at the ceiling of her darkened bedroom, terrified.

In "The Pretty Picture," the book's highlight, his young daughter brings him one of her drawings. At first, Delisle praises her efforts, but the longer he looks, the more his professional eye kicks in, as the girl looks on impassively:

"And ... Uh ... I don't want to be too critical, but you've got to work on your drafting a bit. You're going to have put in some effort, or else don't even bother chasing after publishers. Look at the perspective here ... Hasn't anybody told you that things get smaller the farther away they are? This is completely haphazard. I can't tell where anything is. It's not a very complex concept, you know .... I know what you're going to say ... You're going to tell me it's your "style" and that you did it on purpose. Well, kiddo, let me tell you, there's a hell of a difference between drawing like a hack and having some kind of style. Not everybody's Art Spiegelman, you know."

If A User's Guide to Neglectful Parenting is significantly more slight than Delisle's travel memoirs, it's brighter and funnier as well. And it shares with his previous work a keen appreciation for the clash of cultures; this time, however, the cultures in question are those adults and children, and the damage that ensues is played for a rueful laugh.

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