The Boston Citgo sign, all 3,600 square LED feet of which has served as the backdrop to Red Sox games since 1965, is now officially a "pending landmark."

Spanish Surrealist Salvador Dalí spent much of the 1940s in the U.S., avoiding World War II and its aftermath. He was a well-known fixture on the art scene in Monterey, Calif. — and that's where the largest collection of Dalí's work on the West Coast is now open to the public.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

The middle of summer is when the surprises in publishing turn up. I'm talking about those quietly commanding books that publishers tend to put out now, because fall and winter are focused on big books by established authors. Which brings us to The Dream Life of Astronauts, by Patrick Ryan, a very funny and touching collection of nine short stories that take place in the 1960s and '70s around Cape Canaveral, Fla.

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This is the first in a series of essays concerning our collective future. The goal is to bring forth some of the main issues humanity faces today, as we move forward to uncertain times. In an effort to be as thorough as possible, we will consider two kinds of threats: those due to natural disasters and those that are man-made. The idea is to expose some of the dangers and possible mechanisms that have been proposed to deal with these issues. My intention is not to offer a detailed analysis for each threat — but to invite reflection and, hopefully, action.

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'Dead Sea Scrolls' Live On In Debate And Discovery

Feb 13, 2013
Originally published on February 14, 2013 4:42 pm

The Dead Sea Scrolls are the ancient manuscripts dating back to the time of Jesus that were found between 1947 and 1956 in caves by the Dead Sea. Since they were first discovered, they have been a source of fascination and debate over what they can teach — and have taught — about Judeo-Christian history. In his new book, The Dead Sea Scrolls: A Biography, Yale professor John J. Collins tells the story of the scrolls, their discovery and the controversies surrounding the scholarship of them.

The scrolls appear to have been hidden in the desert near Qumran in the West Bank by a Jewish sect known as the Essenes that existed around the time of Jesus. The Essenes were an extreme sect of Judaism and, Collins tells Fresh Air's Terry Gross, "if they existed nowadays, we would regard them as a fundamentalist cult."

Collins, who was raised Catholic, is particularly interested in what the scrolls tell us about the history of Christianity.

"I've been interested in Messianism," he says. "What kind of Messiah were people expecting? What do the scrolls tell us about that? ... Why does a movement decide to go off and live in the wilderness and — some of them at least — not marry and have all their possessions in common? What's the kind of thinking that goes into that?"

The fact that the Essenes appear to have been fundamentalists, however, does not mean that the Dead Sea Scrolls don't offer insight into life more broadly speaking during that period.

"Nobody can be an extremist all the time," says Collins, "and so if you have a collection of writings held by this extremist group, there will still be an awful lot of stuff in that other people would have shared. They had the same Scriptures as everybody else. They observed the same festivals as everybody else, even if they observed them at a different day."


Interview Highlights

On what his study of apocalyptic writing has taught him about human fears and wishes

"In any apocalyptic situation ... there is a perceived lack — that the people who write this kind of thing and believe this kind of thing believe that there is something fundamentally wrong with the world. Now, sometimes, they may just be right and then other times other people around them may not think there's anything wrong with the world. ... In the present-day situation in North America, I think a lot of people who have this kind of apocalyptic mindset actually are quite prosperous and doing quite well, but they feel their beliefs are not respected in the larger society, and I think there's a kind of resentment that goes into that, and then the desire to be vindicated."

On what kind of Messiah people who collected the Dead Sea Scrolls expected

"Most people wanted a big, strong warrior who would drive out the Romans, who would smash heads. So if you look at this then from the viewpoint of the New Testament, the question is: Why would anybody have thought that Jesus of Nazareth fit that description? And actually, I think that bothered his followers, too, and if you read through the New Testament, the answer they come up with eventually is, 'Well, he wasn't first time 'round, but when he comes back, watch out.' And in the Book of Revelation, you know, Jesus comes as a warrior with a sword coming out of his mouth to strike down the wicked, and that's kind of the classic view of the Messiah at the time."

On his how his scholarship has affected his relationship with his own Catholicism and the current church

"I wouldn't say it's brought me closer to the church. It's made me feel independent of the church, I guess is the way I would put it. I think I have a deep attachment to the Catholic Church the same way I do to my native country. ... It's part of my identity, but at the same time, at the moment, I'm pretty alienated from the current Catholic leadership because they're very narrow-minded, and they are not good moral guides, and they have not been for the last 40 years or so."

On the long view of religion his scholarship has given him

"One of the things — especially if you study the Old Testament — one of the things that it gives you is freedom to criticize your religious tradition. ... One of the classes I'm teaching at the moment, we're going through the prophets, and the prophets criticize the temple and the king and the use of tradition and just about everything else in sight, and they do so with the vehemence that the Vatican has never dreamt of. There isn't a prophet in the Old Testament who wouldn't be excommunicated if he were a member of the contemporary Catholic Church for the sheer vehemence of their criticism of the tradition."

On being asked for Aramaic translations by Mel Gibson for his film The Passion of the Christ

"Just after I moved to Yale, I went into my office one day and picked up the phone, and the voice — that was a recorded message — [said], 'Mr. Collins, this is Mel Gibson. I'm looking for somebody to translate some material into Aramaic. You were recommended to me by Father Fitzmeyer.' I actually asked to see a copy of the manuscript, and he sent it to me, and I read it until I encountered a talking snake, and at that point, I decided I do not want to be associated with this. But I think the actual Aramaic that was produced was quite good. ... That was the least of the problems of the movie."

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