Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Arizona Hispanics Poised To Swing State Blue

1 hour ago
Copyright 2016 NPR. To see more, visit

Copyright 2016 NPR. To see more, visit

Editor's note: This report contains accounts of rape, violence and other disturbing events.

Sex trafficking wasn't a major concern in the early 1980s, when Beth Jacobs was a teenager. If you were a prostitute, the thinking went, it was your choice.

Jacobs thought that too, right up until she came to, on the lot of a dark truck stop one night. She says she had asked a friendly-seeming man for a ride home that afternoon.

The Boston Citgo sign, all 3,600 square LED feet of which has served as the backdrop to Red Sox games since 1965, is now officially a "pending landmark."

Spanish Surrealist Salvador Dalí spent much of the 1940s in the U.S., avoiding World War II and its aftermath. He was a well-known fixture on the art scene in Monterey, Calif. — and that's where the largest collection of Dalí's work on the West Coast is now open to the public.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.


Chicano Males Stare Down Stereotypes

Apr 25, 2013

When Harry Gamboa Jr. saw Chicanos in the mainstream media, he didn't see himself, or the people he knew. And he wanted to change that.

Growing up during the 1960s Chicano movement, the Los Angeles-based artist resented how Chicanos were often portrayed, he says. His photo series Chicano Male Unbonded was his response.

"What was used in the media was this idea of creating inferiority or guiltiness," he says. "But these [Chicano] men had contributed to and saved my life."

He says his peers were shipped off to Vietnam to fight in the war, and many didn't think they would live past 21 years old. Those who stayed home were often stigmatized.

Since 1972, Gamboa has created art in various media and formats interpreting the contemporary urban Chicano experience. After years working with a group he co-founded called Asco (Spanish for nausea), he started his photography series in 1991.

He chose people who have "a stance of being affirmative in their own lives," he says. His subjects are professors, activists, fathers, war veterans and anyone who has contributed to his life.

Since starting his series, Gamboa has photographed over 100 different men. Some look Chicano, others don't — which is part of his point. They include his father, Harry Gamboa, fellow Asco member Humberto Sandoval and photographer Gregory Bojorquez.

Gamboa makes his images using available light — a lamppost or a storefront's illumination — and shoots with a 24 mm wide-angle lens from a low viewpoint. Subjects wear dark clothes; their eyes pierce the camera looking down from above. The composition and lighting are all part of his statement.

"They [the subjects] don't present a threat. They're assertive; they look like they won't back down," Gamboa explains. "They aren't physical fighters, but in a way they have stood up for themselves. It just shows their strength of character."

He says his somewhat unconventional portrait style has led some to question his portrayal of Chicano men. Others have reacted positively. And that, he says, is his ultimate motive — to call into question the viewer's preconceived notion of what a Chicano male should look like.

Next month, new photos from this series will be shown at the Artifex exhibit in Culver City, Calif. View more of Gamboa's work on his blog.

Brian De Los Santos is an intern with NPR's Digital News.

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