New British Prime Minister Theresa May announced six members of her Cabinet Wednesday.

Amid a sweeping crackdown on dissent in Egypt, security forces have forcibly disappeared hundreds of people since the beginning of 2015, according to a new report from Amnesty International.

It's an "unprecedented spike," the group says, with an average of three or four people disappeared every day.

The Republican Party, as it prepares for its convention next week has checked off item No. 1 on its housekeeping list — drafting a party platform. The document reflects the conservative views of its authors, many of whom are party activists. So don't look for any concessions to changing views among the broader public on key social issues.

Many public figures who took to Twitter and Facebook following the murder of five police officers in Dallas have faced public blowback and, in some cases, found their employers less than forgiving about inflammatory and sometimes hateful online comments.

As Venezuela unravels — with shortages of food and medicine, as well as runaway inflation — President Nicolas Maduro is increasingly unpopular. But he's still holding onto power.

"The truth in Venezuela is there is real hunger. We are hungry," says a man who has invited me into his house in the northwestern city of Maracaibo, but doesn't want his name used for fear of reprisals by the government.

The wiry man paces angrily as he speaks. It wasn't always this way, he says, showing how loose his pants are now.

Ask a typical teenage girl about the latest slang and girl crushes and you might get answers like "spilling the tea" and Taylor Swift. But at the Girl Up Leadership Summit in Washington, D.C., the answers were "intersectional feminism" — the idea that there's no one-size-fits-all definition of feminism — and U.N. climate chief Christiana Figueres.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

Pages

'Beauty' On Orrin Evans' Block

Aug 21, 2013
Originally published on August 21, 2013 12:10 pm

On Philadelphia pianist Orrin Evans' trio version of Ornette Coleman's "Blues Connotation," drummer Donald Edwards and bassist Eric Revis set a New Orleans second-line groove tinged with vintage hip-hop. A beat like that is catnip to Evans, who gets right down and rolls in it. He quotes from Monk and Miles tunes in his solo, keeping the mood light.

Evans' new album is called "...It was beauty." Folks who love Brad Mehldau's gem-like ballads and lucidly developed solos will find a lot to like here. Evans can be a heavy hitter at the keyboard, but this time out, he reins himself in a bit. His latest version of Hoagy Carmichael's "Rockin' Chair" is so achingly slow, it takes the trio three and a half minutes just to play the melody. The musicians treat it with extraordinary tenderness, as if afraid the fabric will tear.

But Evans isn't always so delicate. At heart, he's a diehard Philly swinger with a roving, playful side. At the end of his tune "Dorm Life," he massages a two-note piano lick, expands into a three-note nod to Leonard Bernstein's "Maria" over a fat swing groove, then works his way back to the original figure. The bass player in that one is Luques Curtis; in "...It was beauty," Evans tweaks his trio, swapping out bassist Eric Revis a couple of times, as if guests were sitting in during a nightclub set. Two pieces have two bass players, a tricky combination that Revis and Ben Wolfe keep under control. The four musicians treat the ensemble like an interlocking drum choir: Everything is a percussion instrument.

Orrin Evans came in for some rash criticism last year when he said he'd rather not call his music "jazz," preferring the broader term Black American Music. One reason he gave: hoping to see more people in his audiences who look like him. In keeping with that big-tent aesthetic, he closes his album with a luminous take on Andre Crouch's hymn "My Tribute," a favorite of the pianist's mom. In Orrin Evans' neighborhood, the church, the nightclub and the corner all share the same block.

Copyright 2013 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVE DAVIES, HOST:

Pianist Orrin Evans came up in Philadelphia, absorbing lessons from local keyboard heroes like Shirley Scott and Trudy Pitts. Evans has played with Bobby Watson, the Mingus Big Band and the group Tar Baby. He leads the Captain Black big band and has recorded with various small groups. Jazz critic Kevin Whitehead says Evans' new trio record make a perfect introduction.

(SOUNDBITE OF MUSIC)

KEVIN WHITEHEAD, BYLINE: Orrin Evans on Ornette Coleman's "Blues Connotation," where drummer Donald Edwards and bassist Eric Revis set a New Orleans second-line groove tinged with vintage hip-hop. A beat like that is catnip to pianist, and Evans gets right down and rolls in it. He quotes from Monk and Miles tunes in his solo, keeping the mood light.

(SOUNDBITE OF JAZZ PIANO MUSIC)

WHITEHEAD: Orrin Evans' new album is called "...It was beauty." Folks who love Brad Mehldau's gem-like ballads and lucidly developed solos will find a lot to like here. Evans can be a heavy hitter at the keyboard, but this time out, he reins himself in a bit. His latest version of Hoagy Carmichael's "Rockin' Chair" is so achingly slow, it takes the trio three and a half minutes just to play the melody. They treat it with extraordinary tenderness, as if afraid the fabric will tear.

(SOUNDBITE OF SONG, "ROCKIN' CHAIR")

WHITEHEAD: Evans isn't always so delicate. At heart, he's a diehard Philly swinger with a roving, playful side. At the end of his tune "Dorm Life," he massages a two-note piano lick, expands it into a three-note nod to Leonard Bernstein's "Maria" over a fat swing groove, then works his way back to the original figure.

(SOUNDBITE OF SONG, "DORM LIFE")

WHITEHEAD: The bass player in that one is Luques Curtis. On the album "...It was beauty," Orrin Evans tweaks his trio, swapping out bassist Eric Revis a couple of times, as if guests were sitting in during a nightclub set. Two pieces have two bassists, a tricky combination that Revis and Ben Wolfe keep under control. The four musicians treat that ensemble like an interlocking drum choir. Everything is a percussion instrument.

(SOUNDBITE OF MUSIC)

WHITEHEAD: Orrin Evans came in for some rash criticism last year when he declared he'd rather not call his music jazz, preferring the broader term Black American Music. One reason he gave: hoping to see more people in his audiences who look like him. In keeping with that big-tent aesthetic, Evans closes his album with a luminous take on Andre Crouch's hymn "My Tribute." It was a favorite of the pianist's mom. In Orrin Evans' neighborhood, the church, the nightclub and the corner all share the same block.

(SOUNDBITE OF SONG, "MY TRIBUTE")

DAVIES: Kevin Whitehead writes for Point of Departure, DownBeat, and eMusic and is the author of "Why Jazz?" He reviewed "...It was Beauty" by Orrin Evans. Transcript provided by NPR, Copyright NPR.