The Boston Citgo sign, all 3,600 square LED feet of which has served as the backdrop to Red Sox games since 1965, is now officially a "pending landmark."

Spanish Surrealist Salvador Dalí spent much of the 1940s in the U.S., avoiding World War II and its aftermath. He was a well-known fixture on the art scene in Monterey, Calif. — and that's where the largest collection of Dalí's work on the West Coast is now open to the public.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

The middle of summer is when the surprises in publishing turn up. I'm talking about those quietly commanding books that publishers tend to put out now, because fall and winter are focused on big books by established authors. Which brings us to The Dream Life of Astronauts, by Patrick Ryan, a very funny and touching collection of nine short stories that take place in the 1960s and '70s around Cape Canaveral, Fla.

When the United Kingdom voted to leave the European Union last month, the seaside town of Port Talbot in Wales eagerly went along with the move. Brexit was approved by some 57 percent of the town's residents.

Now some of them are wondering if they made the wrong decision.

The June 23 Brexit vote has raised questions about the fate of the troubled Port Talbot Works, Britain's largest surviving steel plant — a huge, steam-belching facility that has long been the town's biggest employer.

Solar Impulse 2 has landed in Cairo, completing the penultimate leg of its attempt to circumnavigate the globe using only the power of the sun.

The trip over the Mediterranean included a breathtaking flyover of the Pyramids. Check it out:

President Obama is challenging Americans to have an honest and open-hearted conversation about race and law enforcement. But even as he sits down at the White House with police and civil rights activists, Obama is mindful of the limits of that approach.

"I've seen how inadequate words can be in bringing about lasting change," the president said Tuesday at a memorial service for five law officers killed last week in Dallas. "I've seen how inadequate my own words have been."

Mice watching Orson Welles movies may help scientists explain human consciousness.

At least that's one premise of the Allen Brain Observatory, which launched Wednesday and lets anyone with an Internet connection study a mouse brain as it responds to visual information.

The FBI says it is giving up on the D.B. Cooper investigation, 45 years after the mysterious hijacker parachuted into the night with $200,000 in a briefcase, becoming an instant folk figure.

"Following one of the longest and most exhaustive investigations in our history," the FBI's Ayn Dietrich-Williams said in a statement, "the FBI redirected resources allocated to the D.B. Cooper case in order to focus on other investigative priorities."

This is the first in a series of essays concerning our collective future. The goal is to bring forth some of the main issues humanity faces today, as we move forward to uncertain times. In an effort to be as thorough as possible, we will consider two kinds of threats: those due to natural disasters and those that are man-made. The idea is to expose some of the dangers and possible mechanisms that have been proposed to deal with these issues. My intention is not to offer a detailed analysis for each threat — but to invite reflection and, hopefully, action.

Pages

Art Meets Geek at Toni Dove's Studio

Feb 15, 2013
Originally published on February 21, 2013 7:14 am

Transcript

IRA FLATOW, HOST:

Flora Lichtman's here, switched hats again.

FLORA LICHTMAN, BYLINE: Switching gears.

FLATOW: Switching gears, and our gear is our Video Pick of the Week, and it's a real - as always, a real cool one.

LICHTMAN: This one, yeah, very cool. We're to the earthly pleasures now - part - segment of the show. It's about art. We went and visited the studio of artist Toni Dove, and she makes the art - the kind of art that's just my style. It satisfies my craving for fantasy, and also my real nerdy, geeky side.

FLATOW: The Benji(ph) part.

LICHTMAN: Yes. The Benji(ph) part is well satisfied by the kind of stuff that Toni Dove does. She's sort of a multimedia storyteller, and she's been doing that, you know, since before that was cool for, like, 20 years. And she has all this technology that she uses to bring stories to life. But her major - her sort of (unintelligible) film, I think that she would say that, the performances are - have a few different genres.

FLATOW: This is SCIENCE FRIDAY, from NPR.

LICHTMAN: Anyway, I think Toni Dove actually probably describes it best.

TONI DOVE: It's like I'll look at a movie, and then I'll - the impulse will be to take it apart like it was a pocket watch, and have all the pieces on the table, and then think about different ways it can be configured.

LICHTMAN: So what does it mean to take a movie apart like a pocket watch? Let me try to paint you a picture. So what she does is that she has multiple projection screens going at once. And some of these screens are actually 3D in a kind of analog way.

FLATOW: Right.

LICHTMAN: They have multiple layers, and so you get this 3D effect. And they move. They can come down from the ceiling. And then there are these other projectors that have - digital puppets, are what she calls them. And basically, there are these pictures of people or characters that appear on these screens. But they're animated by real people, and the way that it's done is through motion-sensing software and voice recognition. So there's a real person who's talking and moving their arms in kind of a sign language-y dance, and that translates to the movement of these digital puppets on the screen.

FLATOW: Wow.

LICHTMAN: You have to see it. It's really cool.

FLATOW: Yeah. It's - that's why we made a video out of it. That's why Flora went down to the studio and spoke with her and got a great tour. And if you want to see it - it's hard to picture - that's why it's a video. It's hard to picture.

LICHTMAN: Yeah, sorry.

FLATOW: Go to our website at sciencefriday.com. It's our Video Pick of the Week, and it's up there, and you can watch it. And it's fascinating.

LICHTMAN: Yeah. I mean, she also makes robots, and there are cyborgs and there are opera singers. And the performances themselves include sort of all these things at once. So there's multiple screens, and then there are performers onstage. And her next production, "Lucid Possession," premiers in April in Brooklyn. You can get details. But if it sounds really out there, I think Toni Dove, you know, would argue that it actually kind of mirrors modern life.

DOVE: And that sense of fluid movement across different dimensions that happens in the piece is something that we're exploring in the way we live. We are simultaneously navigating virtual spaces, social spaces, mobile phone spaces. And that gives us a sense of extruded identity, I think.

LICHTMAN: And extruded identity is really, I think, what this latest piece, "Lucid Possession," is all about. It was a nice visual representation of, I think, this feeling we all have, where we're, you know, on Twitter and on Facebook and in real life sometimes, radio, you know...

FLATOW: Right.

LICHTMAN: ...a visual representation of that feeling of being spread out over different platforms.

FLATOW: Yeah. It's our Video Pick of the Week up there on our website at sciencefriday.com. You can also see it on YouTube. And it's up there right now. It's a very interesting video.

LICHTMAN: I also would like to make a note for photographers out there, and we have so many great photographers. Our annual winter nature photo contest is back.

FLATOW: Yay.

LICHTMAN: Last year, you warmed our frosty hearts with your submissions. Bundle up, take your best shot, send it our way. The contest starts at 4 p.m. today, and you can go to our website for info on how to submit your photo.

FLATOW: So it could be a picture of anything having to do with nature.

LICHTMAN: Winter nature.

FLATOW: Winter nature. Winter nature. It could be snow. It could be whatever it is. We don't set the limits on what it can be. But it's just winter nature-related.

LICHTMAN: We had - remember last year's?

FLATOW: Yeah.

LICHTMAN: We had really wonderful photographers in our audience.

FLATOW: Beautiful.

LICHTMAN: I can't wait to see what they come up with this year.

FLATOW: And they sent dozens and dozens of pictures in, and then they're all gorgeously - and then, you know.

LICHTMAN: Then we'll see them, and we'll display them.

FLATOW: And Annette will put them up on the website.

LICHTMAN: That's right.

FLATOW: It'll be great. Thank you.

LICHTMAN: Thanks, Ira.

FLATOW: What a day we've had today, tracking the asteroids, talking about what the meteorites and the meteors that hit Russia today. And I want to thank everybody who was involved in the coverage all around the world. Thank you very much for helping us with our live coverage today. Transcript provided by NPR, Copyright NPR.