Talia Schlanger

Talia Schlanger is a host and radio producer at World Cafe, produced by WXPN, the public radio service of the University of Pennsylvania. Schlanger joins the World Cafe team straight from CBC, Canada's public broadcaster, where she hosted a triple-A radio show on Saturday and Sunday mornings. She was the on-camera host for two seasons of the CBC television series CBC Music: Backstage Pass, which saw her interview some of Canada's best and brightest artists. Schlanger also hosted several prime-time music TV specials for CBC, including the Quietest Concert Ever: On Fundy's Ocean Floor featuring Serena Ryder, CBC Music SongCamp and the CBCMusic.ca Festival Special 2015. Schlanger served as the the interim host of CBC Radio 2's Canada Live and was a regular guest host on CBC Radio One's flagship artist and culture show q. She also filled in on Canadian current-affairs radio shows including As It Happens, Day 6 and Because News. Some of her favorite music interviews include St. Vincent, Tanya Tagaq, John Fogerty, Barenaked Ladies and Grimes.

Schlanger's first project at CBC was as a producer for CBC Music Presents: The Beetle Roadtrip Sessions, a cross-country rock 'n' roll road trip which won a Canadian Screen Award in 2014. She was also the digital producer for Hockey Night In Canada Song Quest, CBC Music's search for the next great hockey song.

Born and raised in Toronto, Schlanger is a proud alumna of Ryerson's Radio and Television Arts program. She's also a professional actress, singer and voiceover artist. Schlanger spent most of 2012 performing in the first national tour of Green Day's rock opera, American Idiot, at various theatres throughout the United States. (She thought she would be really cool when she met Billie Joe Armstrong after he watched American Idiot. She was not cool at all.) She has also performed on stage with Mirvish Productions' original Canadian company of We Will Rock You, as well as in the ensemble and understudying lead roles in Scaramouche, Oz (Canon Theatre, 2007/2008), and in Mamma Mia! (Royal Alexandra Theatre, 2003/2004).

Most of us know Chuck Berry as a pioneer, if not the pioneer, who defined rock 'n' roll. My guest today knew him as dad.

Charles Berry Jr. is here to share memories of growing up watching the elder Berry on TV, joining him on tour in his later years and contributing to what would be his final record, an album called Chuck that was released in June.

In the French Quarter of New Orleans, there's a tiny venue with old wooden floors where on a good night you can cram in around a hundred people. The audience sits right up in front of the band and it's so intimate that the musicians don't need microphones. It's a truly magical place, where the spirit of New Orleans jazz is not only alive but evolving. It's called Preservation Hall. And it's home to our guests – the Preservation Hall Jazz Band.

There are as many ways to celebrate summer as there are cover versions of George Gershwin's "Summertime." Maybe you're looking forward to hot fun in the summertime or slathering on sunscreen so you can soak up the sun.

Trumpet virtuoso Christian Scott aTunde Adjuah is stretching modern jazz music to include the flavors of hip-hop, trap and West African percussion. His latest release, Ruler Rebel, is his first in series of three albums marking the 100th anniversary of the first commercially recorded jazz music. As Adjuah tells it, that recording, made by the Original Dixieland Jass Band in New Orleans in 1917, was originally conceived as satire with a racially-charged subtext.

As the old adage goes, "you never get a second chance to make a first impression." Fifty years ago — May 12, 1967 — the Jimi Hendrix Experience made about as tremendous a first impression as it gets. The band's first full-length record, Are You Experienced?, is widely considered one of the greatest debuts in rock and roll. It introduced audiences to pyrotechnic psychedelia, amps that were at once incendiary and melodic and an artist that would define the dreams of nearly anyone who picked up a guitar for years to come.

Bobby Rush is one of the last living blues legends of his generation. He toured the South and the chitlin' circuit in the '50s and was often forced to perform music behind a curtain for white audiences. Shortly before the Montgomery Bus Boycott, Rush heard through fellow Chicago bluesman J.B.

'Tis right around Christmas and wherever you go
It's "Run Rudolph Run," "Jingle Bells," "Let It Snow"

And while classics are great, and you love them no doubt
You may feel a little bit jingle belled out

But don't fret, for musical Santa is here!
With a playlist that brings you hip holiday cheer!

Hey Rosetta! delights with a sweet, heartfelt jam
Plus Sufjan Stevens with some holiday Ham...mond

You could call him the King of the Chitlin' Circuit. You could call him the Godfather of Folk-Funk. You could call him the last of his kind, a blues legend who played alongside Muddy Waters and earned the respect of B.B. King, cutting his teeth with the greatest of the great in 1950s and '60s Chicago. He calls himself Bobby Rush — never just Bobby.