The advent of bebop added a fresh sound to American music. It also added new voices to some metropolitan radio stations: the late-night jazz DJs who specialized in presenting this new music to their fellow hipster nightflies.
To recognize the work of the groundbreaking DJs who lent them critical exposure, jazz musicians of the period would occasionally write songs in their honor. Here are five of those songs.
Many music lovers know Juan de Marcos González as the man who teamed up with guitarist Ry Cooder to create Buena Vista Social Club. But González was busy celebrating the history of Cuban music long before Cooder arrived on the scene.
Concurrently with the Buena Vista project, González was recording an album with his own band, The Afro-Cuban All Stars. The orchestra now contains expatriate Cuban musicians, young and old alike, from around the world.
Over the past few years, Take Five's theme-based jazz lists have covered a wide variety of subjects. We've covered the careers of legends, the cutting-edge work of up-and-coming artists, styles, periods, holidays, regional scenes and more. Today, Take Five goes "meta" and presents a list of songs about... lists.
The lyrical conceits of these five songs are simply to list things. And, of course, feel free to suggest your favorite songs about lists that weren't included here. ("What, no 'Route 66'? Really?")
In the Northern Hemisphere, January is typically the coldest month of the year. If we can somehow drag ourselves through the month, things will begin to turn around and we'll be on the road to springtime. But January often feels as if it'll never end.
So as we slog through the cold rain and snow, awaiting January's demise, here are five blues songs to help get us through the winter.
It's no wonder that pianist Bill Charlap loves the music that has come to be called The Great American Songbook — the songs of great Tin Pan Alley composers such as Jerome Kern, George Gershwin and Irving Berlin. He grew up with it. Charlap was born and raised in New York, the son of Moose Charlap (a Broadway composer) and Sandy Stern, a self-described "popular singer with jazz overtones."
Django Reinhardt has achieved an almost godlike status among those who love jazz guitar. When he and violinist Stephane Grappelli formed the Quintet of the Hot Club of France in 1934, they created a new sound in jazz: The guitar and violin served as the lead instrumental voices, propelled by two hard-swinging rhythm guitars and a bass.
Pianist Cyrus Chestnut took his time making a name for himself on the jazz scene: For a decade starting in the mid-1980s, he apprenticed as pianist for Jon Hendricks, Betty Carter, Donald Harrison and Wynton Marsalis. But since then, he's toured the world and recorded 15 albums as a bandleader.
In this performance and interview, Cyrus describes his gospel roots and his discovery of jazz, and discusses how he approaches interpreting other composers' music.