Michael Schaub

Michael Schaub is a writer, book critic and regular contributor to NPR Books. His work has appeared in The Washington Post, The San Francisco Chronicle, The Portland Mercury and The Austin Chronicle, among other publications. A native of Texas, he now lives in Portland, Ore.

Despite what you may hear from alarmists, it's not easy for refugees to get to the United States — or really anywhere, for that matter. If they're even able to escape their own country, they face constant roadblocks and long waiting lists before they're able to establish themselves, however precariously, in another country. There are no magic doorways they can walk through that will just bring them to another land.

Bad stand-up comedy is, for everyone involved, a special kind of hell. There's really nothing worse than the awkwardness that ensues when a comic bombs in front of a restive audience at an open-mic night, half of whom have been dragged there against their will in the first place. Great comedians have made enduring art and even changed society; all bad comedians have ever done is made people hurry out of a bar with their gin-and-tonics half finished.

Margaret Drabble's new novel The Dark Flood Rises opens with its protagonist, Francesca Stubbs, tensely driving her Peugeot on an English highway. Fran is an expert on housing for senior citizens; she's herself in her seventies, and lately, she's been obsessed with mortality. Here's the first sentence of the novel: "She has often suspected that her last words to herself and in this world will prove to be 'You bloody old fool' or, perhaps, depending on the mood of the day or the time of the night, 'you ...

Even if you've read the news reports or seen the horrifying photographs, it's hard to fathom the terrible extent of the Syrian refugee crisis. The United States has accepted more than 10,000 Syrians fleeing the country's civil war, but that's a drop in the bucket — millions of Syrians have been forced out of their home country, hoping other nations will take them in. Some have, some have since closed the door.

Toward the middle of Paul Auster's new novel, 4 3 2 1, young Archie Ferguson, recovering from a car accident that could have killed him, quotes the satire Candide to his optimistic girlfriend. "You're beginning to sound like Dr. Pangloss," he complains. "Everything always happens for the best — in this, the best of all possible worlds."

In 1996, then-First Lady Hillary Clinton published a book that drew its title from a proverb of indeterminate origin: "It takes a village to raise a child." The aphorism, which was embraced by Clinton's fans and mocked by her detractors, suggests that it's in the interest of everyone for all adults to look after the children of the world.

It's become a common joke that the Germans have a word for everything (and that many of them are comically long and impossible to pronounce). But there's a grain of truth to it — take Sehnsucht, a German term that's hard to explain in English. It's sometimes translated as "longing," but it carries a series of specific connotations, among them, a yearning for a faraway land that may or may not actually exist.

For a lot of writers, crafting fiction can feel like an exercise in trying to describe something — a concept, a sensation, an emotion — that really doesn't want to be described. It's a problem that can be solved by sticking to obvious themes and well-worn story arcs, but the best writers would rather put down their pens forever before surrendering to cliché.

There's a reason that some readers view contemporary coming-of-age novels with suspicion. Too many play out the same way: An odd but winsome young person goes on some kind of journey of discovery, either literal or figurative, and learns something about himself or herself in the process. Often, there's an awkward romance. And the ending, whether happy or otherwise, can usually be described as bittersweet.

On April 3, 1983, terrorists associated with the Maoist guerilla group Shining Path invaded the small hamlet of Lucanamarca, Peru, and murdered 69 villagers. The slayings, retaliation for the killing of a Shining Path leader, were especially brutal — the victims, including infants and children, were hacked to death with machetes. It would not be the last time that Peruvians were slaughtered en masse, either by the Shining Path or the Peruvian military.

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