Michael Schaub

Speeches in book form have become a reliable cash cow for publishers. The usual formula is this: Find a commencement speech that's gone viral on YouTube, publish it with illustrations in a small hardcover format, and watch as it gets snapped up by the target demographic (in this case, that would be "people who realized they forgot to buy a present while driving to their nephew's high school graduation").

About 50 pages into Pajtim Statovci's debut novel, the protagonist Bekim meets a cat in a Finnish gay bar. The cat is wearing human clothes and singing along to Cher's "Believe," and Bekim, for reasons that are not quite adequately explained, is immediately attracted to him. "The cat was such a wonderful, beautiful, gifted interpreter that I took him in my arms without waiting for any indication to do so, and straightaway I noticed that his silky smooth fur smelled good and that his body was muscular from top to tail," Bekim gushes.

The first short story in a collection functions the same way the first track on an album does — it sets the tone for what's to come, and works as a de facto introduction, displaying the range of tools the creator has decided to work with. That's not to say authors never deviate from the tone of the initial story; they usually do, and when they know what they're doing, the effect can be bracing, even shocking.

It sounds unbelievable to a lot of us, but for some people, their early 20s are the age when things start to come together. They graduate college, find a fulfilling job, marry their sweetheart and start a family.

If you ever want to make a group of Southerners groan, just ask them how they feel about kudzu. The now-ubiquitous vine was introduced to the United States from Japan in the late 19th century, and widely publicized as a miracle plant: it could be used as food for cattle; it made a nice ornamental addition to porches. But it didn't take very long for "the vine that ate the South" to go out of control, smothering Dixie and suffocating its other plants.

Despite what you may hear from alarmists, it's not easy for refugees to get to the United States — or really anywhere, for that matter. If they're even able to escape their own country, they face constant roadblocks and long waiting lists before they're able to establish themselves, however precariously, in another country. There are no magic doorways they can walk through that will just bring them to another land.

Bad stand-up comedy is, for everyone involved, a special kind of hell. There's really nothing worse than the awkwardness that ensues when a comic bombs in front of a restive audience at an open-mic night, half of whom have been dragged there against their will in the first place. Great comedians have made enduring art and even changed society; all bad comedians have ever done is made people hurry out of a bar with their gin-and-tonics half finished.

Margaret Drabble's new novel The Dark Flood Rises opens with its protagonist, Francesca Stubbs, tensely driving her Peugeot on an English highway. Fran is an expert on housing for senior citizens; she's herself in her seventies, and lately, she's been obsessed with mortality. Here's the first sentence of the novel: "She has often suspected that her last words to herself and in this world will prove to be 'You bloody old fool' or, perhaps, depending on the mood of the day or the time of the night, 'you ...

Even if you've read the news reports or seen the horrifying photographs, it's hard to fathom the terrible extent of the Syrian refugee crisis. The United States has accepted more than 10,000 Syrians fleeing the country's civil war, but that's a drop in the bucket — millions of Syrians have been forced out of their home country, hoping other nations will take them in. Some have, some have since closed the door.

Toward the middle of Paul Auster's new novel, 4 3 2 1, young Archie Ferguson, recovering from a car accident that could have killed him, quotes the satire Candide to his optimistic girlfriend. "You're beginning to sound like Dr. Pangloss," he complains. "Everything always happens for the best — in this, the best of all possible worlds."

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