Michael Schaub

Kamila Shamsie's Home Fire opens with a scene that will likely be familiar to any Muslim who lives in, or has traveled to, the West. Isma Pasha waits in a British airport while security officers check her luggage, go through the browser history on her laptop, and demand "to know her thoughts on Shias, homosexuals, the Queen, democracy, The Great British Bake Off, the invasion of Iraq, Israel, suicide bombers, dating websites."

In a 2008 episode of the sitcom "30 Rock," the fictional NBC executive Jack Donaghy (played by Alec Baldwin) proudly promotes the season finale of his new hit reality show, MILF Island. In the shamelessly tawdry program ("25 super-hot moms, 50 eighth-grade boys, no rules"), middle-aged women contestants are kicked off one by one with the show's signature catchphrase: "We no longer want to hit that. Get off MILF Island!" In a culture that objectifies women, older women aren't treated with any more respect than their younger counterparts; they're all equally disposable.

Cape Cod occupies a particular place in the American imagination, especially in the summer. The name alone conjures images of cool breezes, charming cottages and eating lobster rolls on the beach. For New Englanders looking for a weekend getaway, Cape Cod sounds idyllic. But as Patrick Dacey demonstrates in his skillful debut novel, The Outer Cape, every place has its dark side.

Scott McClanahan has built his career on defying expectations and blurring genres. The West Virginia author has been an indie-lit favorite for years, earning fans who admired his bizarre and often funny short fiction. In 2013, he gained something of a national profile following the publication of Crapalachia, a memoir, and Hill William, a novel. Though the genres were different, both critically acclaimed books drew from McClanahan's own sometimes troubled life.

Over the course of more than three decades, Percival Everett has written almost 30 books. They've included mysteries (Assumption), Westerns (Watershed) and biting political satire (the hilarious and memorably titled A History of the African-American People [Proposed] by Strom Thurmond as Told to Percival Everett and James Kincaid). It's impossible to predict what the next Everett book will bring, but it's always a safe bet that it's going to be great.

Who is Stephen Florida? It's a little hard to say. He's an orphan who maybe hasn't yet come to terms with the death of his parents in a car crash. He's an obsessive with poor impulse control. He's possibly the best college wrestler in the state of North Dakota. He's an unapologetic megalomaniac. Or maybe he's not really any of these things: "There is no real Stephen Florida," he says. "I am only a giant collection of gas and light and will."

In her autobiography, My Life, the legendary American dancer Isadora Duncan wrote, "The finest inheritance you can give to a child is to allow it to make its own way, completely on its own feet." She would never have the chance to give any kind of inheritance to her three children; they all died before she was killed in a freak accident in 1927. She was either 49 or 50.

Go into any semi-hip coffee shop and you'll find the regulars: people who spend hours there, day after day. Some of them are college students studying for exams, some are workers telecommuting to their jobs. (The nervous-looking ones with their noses in books, checking Twitter every three minutes? Those would be critics.) And some of them just really have nothing better to do.

"The land was drained." That's the first sentence in Daisy Johnson's haunting short story collection, Fen, and she wastes no time in establishing a setting. The Fens of eastern England are marshlands — or they were, until the 17th century when Parliament ordered them drained and converted into farmlands. One environmental expert has called the draining of the Fens "England's greatest ecological disaster."

Speeches in book form have become a reliable cash cow for publishers. The usual formula is this: Find a commencement speech that's gone viral on YouTube, publish it with illustrations in a small hardcover format, and watch as it gets snapped up by the target demographic (in this case, that would be "people who realized they forgot to buy a present while driving to their nephew's high school graduation").

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