Maud Newton
Maud Newton is a writer, editor and blogger. Her reviews and essays have appeared in The New York Times Book Review, The Boston Globe, The Washington Post, The Los Angeles Times, The American Prospect, Newsday and other publications. She is a recipient of the City College of New York's Irwin and Alice Stark Short Fiction Award.
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The young heroine of Rachel Kushner's new book The Flamethrowers negotiates art and revolution from the back of a motorcycle — both the late-1970s art scene in Manhattan and the Italian radical left of the same era. Reviewer Maud Newton says The Flamethrowers has "timeless urgency."
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The Collected Stories of Deborah Eisenberg combines the writer's four books of short stories into one impressive display of talent. Eisenberg's volume shows a mastery over the art of illustrating human emotion and complexity.
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The Hypochondriacs, Brian Dillon's book about nine historical figures who battled obsessions and fears about their health, shows how these afflictions bled into the work that defined their careers.
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For a half-century, the literary journal's interviews, under the banner "The Art of Fiction," have unlocked the mysteries of writing and the eccentricities of writers. Critic Maud Newton reviews a new boxed set, The Paris Review Interviews, Volumes I-IV.
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In his wide-ranging, expertly curated anthology Becoming Americans, Ilan Stavans collects four centuries of immigrants' stories.
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Gabriel hasn't spoken to his father since the senior writer's review proclaiming his son's first book a failure. When impending heart surgery reunites the men, generational tensions surface along with WWII-era intrigue in Juan Gabriel Vasquez's inventive and intricately plotted The Informers.
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Cristina Nehring's A Vindication of Love makes an engaging case for raw attraction — where lust, emotion and intellect converge. Feminism, Nehring argues, has given us innumerable opportunities. Now how about the right to be romantic?