Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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6:02pm

Tue March 5, 2013
Movie Reviews

'Dead Man Down': A Gang-War Drama That's Practically D.O.A.

Originally published on Fri March 8, 2013 12:17 pm

Victor and Beatrice (Colin Farrell and Noomi Rapace) are two central cogs in the multiethnic New York City revenge war that rages throughout Dead Man Down.
John Baer FilmDistrict

Dead Man Down is the first American film from Niels Arden Oplev, director of the original Girl With the Dragon Tattoo, but it's not very American. This twisty existential thriller is set in a New York City that's as sun-deprived as Stockholm in January — and one in which nearly everyone speaks English as a second language.

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5:03pm

Thu February 28, 2013
Movies

Soviet Ghosts Resurface In Soggy 'Phantom'

Grizzled Soviet submarine captain Demi (Ed Harris) fights crew subversion and personal pain in a losing Cold War struggle against American opponents.
RCR Distribution

Explosions rattle the crew. The air is turning fetid. And the captain has ordered a descent toward "crush depth." Yet everything is on course in Phantom, the newest model of the old submarine-from-hell picture.

But the predictability of writer-director Todd Robinson's film is, well, predictable. There are only so many things that can happen in the close quarters of an imperiled sub. What Robinson purports to do is show those familiar undersea events from a different vantage point. All the characters in Phantom serve in the Soviet navy of the 1960s.

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5:03pm

Thu February 14, 2013
Movie Reviews

Kiarostami Eyes Tokyo 'Like Someone In Love'

Akiko (Rin Takanashi) is a young call girl and university student in modern Tokyo who hesitantly befriends an elderly male client.
IFC Films

Iranian director Abbas Kiarostami's Like Someone in Love opens far from Tehran, in a noisy Tokyo bar.

"When did I lie to you?" asks an unseen woman, ensnarled in a difficult cellphone exchange. The viewer is already trying to decipher this person, without even glimpsing her.

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5:04pm

Thu February 7, 2013
Movie Reviews

A Sorcerer, A White Snake, And Lots Of CGI Magic

Originally published on Thu February 7, 2013 8:14 pm

The demon snake sisters (Charlene Choi and Eva Huang) disguise themselves as beautiful women in The Sorcerer and the White Snake.
Magnet Releasing

In the opening sequence of The Sorcerer and the White Snake, two monks step through a giant gate and find themselves in a new world — one made entirely of computer-generated images. Only Fahai (Jet Li) and his disciple Neng Ren (Zhang Wen) are human.

"Don't believe everything you see," the older man warns.

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5:04pm

Thu February 7, 2013
Movie Reviews

Warning: 'Side Effects' May Include Eye-Rolling

In Steven Soderbergh's medical thriller Side Effects, Emily (Rooney Mara) goes through an emotional crisis — and then a psychopharmacological one — after her husband Martin (Channing Tatum) is released from prison.
Eric Liebowitz Open Road Films

It's the drug's fault, man. That's the defense offered by the perpetrator brought to trial in Side Effects, a stylish, vaguely Hitchcockian dud. But what excuse does this fatally silly movie have?

The film, reportedly the final big-screen effort for prolific director Steven Soderbergh, begins in a New York apartment where something bad has happened. Blood on the floor, smeared and tracked by footprints, suggests murder, suicide or extreme clumsiness.

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5:03pm

Thu January 31, 2013
Movie Reviews

'Bullet To The Head': No-Brainer Bubblegum

Sung Kang plays a D.C. cop at large in New Orleans, where he finds himself in an uneasy alliance with hit man Sylvester Stallone in the blues-rock driven crime drama Bullet to the Head.
Frank Masi Warner Bros. Pictures

Adapted from a French graphic novel and outfitted with an ethnically diverse cast, Bullet to the Head is an artifact of a newly internationalized Hollywood. But that doesn't mean it feels especially new.

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5:03pm

Tue January 22, 2013
Movie Reviews

A Poignant Voyage On 'The Pirogue'

More than 30 men set out to sea in the titular boat of The Pirogue. With that many actors and only an hour of time, not every character gets fleshed out — but the director's eye for singular faces helps.
ArtMattan Productions

The journey from Senegal and poverty to Europe and supposed prosperity takes seven days by fishing boat. The Pirogue spends only about an hour on open water, but that's enough to convey the risks that make the trip foolish, and the desperation that makes it inevitable.

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5:03pm

Thu January 17, 2013
Movie Reviews

'Broken City,' Broken Movie: An Undernourished Noir

In a corrupt New York, private detective Billy Taggart (Mark Wahlberg) tries to straighten out the city as he straightens out his own life.
Barry Wetcher Twentieth Century Fox

As an investigation into American municipal corruption, Broken City is, well, damaged. But as an opportunity for hard-boiled types to trade threats, blows and caustic banter, this modern-day noir works reasonably well.

The story begins in a New York housing project, where scruffy undercover cop Billy Taggart (Mark Wahlberg) has just dispatched a felon. The victim had it coming, it seems, but that doesn't mean the shooting is strictly legit.

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5:03pm

Thu January 17, 2013
Movie Reviews

'Hors Satan': A Singularly Devilish Vision

David Dewaele) turns to nature for solace and spiritual comfort." href="/post/hors-satan-singularly-devilish-vision" class="noexit lightbox">
In Bruno Dumont's Hors Satan, the unnamed Guy (David Dewaele) turns to nature for solace and spiritual comfort.
New Yorker Films

Bruno Dumont just wasn't made for these cinematic times. Rather than cajole and flatter his viewers, the French filmmaker intentionally alienates and mystifies them. Like his five previous movies, the new Hors Satan is stark, strange and uncompromisingly personal. It's also vivid and unforgettable.

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5:03pm

Thu January 10, 2013
Movie Reviews

Old-Fashioned Crime, Newfangled Camp In 'Baytown'

As leader of the murderous Oodie brothers, Brick (Clayne Crawford) takes care to target only the worst criminals in the Deep South.
Phase 4 Films

During The Baytown Outlaws prologue — a bloody massacre scene that doubles as a credit sequence — director Barry Battles interrupts the carnage with comic-book-style panels. It's a gambit he uses again later, and an appropriate one. This Deep South odyssey is a pulp fantasy and knows it.

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