Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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5:03pm

Thu July 11, 2013
Movie Reviews

Adam Sandler, Insisting Again That He's A Really Great Guy

Improbably or not, Salma Hayek (left) and Adam Sandler (far right) are a couple again in Grown Ups 2. Billed as a comedy, the film also features Kevin James, Alexys Nicole Sanchez, Chris Rock, Maria Bello and David Spade, who in this scene are all pretending to laugh at something that in all likelihood involves poo.
Tracy Bennett Sony Pictures

Two decades ago, when stupid Hollywood comedies were relatively smart, they lampooned their own sequelitis with titles like Hot Shots! Part Deux. The genre has become less knowing since then, so the follow-up to 2010's Grown Ups is named simply Grown Ups 2.

Grown Ups Minus 2 would be more apt.

Like its predecessor, this is a vehicle for Adam Sandler, his pals and whatever they think they can get away with. That means some creepy sexual insinuations, if not so many as the first time.

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5:33pm

Tue July 2, 2013
Movie Reviews

In Swinging '60s London, A Frisky 'Look Of Love'

The high life catches up with pop-culture impresario Paul Raymond (Steve Coogan, right) and his daughter Debbie (Imogen Poots) when nudie-mag editor Tony Power (Chris Addison) introduces them to drugs.
IFC

The fourth collaboration between actor Steve Coogan and director Michael Winterbottom is much like their first: Both The Look of Love and 2002's 24 Hour Party People are antic, self-conscious film bios about impresarios on the fringes of showbiz — soft porn and punk rock, respectively. But somehow the new movie, though it doesn't skimp on the nudity, the cocaine or the Britpop, is the blander of the two.

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5:00pm

Thu June 27, 2013
Movie Reviews

In Vienna, A Gallery Of Hours That Add Up To Art

Bobby Sommer is Johann, an "invisible" Vienna museum guard who becomes profoundly connected to a frequent visitor after she starts to take notice of him.
Cinema Guild

During his 20-year career, Jem Cohen has shown his films in museum auditoriums more often than in commercial theaters. So it's fitting that Museum Hours, the arty documentarian's latest feature-length effort, is so indebted to Vienna's Kunsthistorisches Museum. Cohen likes to happen upon stories and images, and the 19th-century Austrian culture palace is brimming with both.

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5:04pm

Thu June 13, 2013
Movie Reviews

'More Than Honey' Sees A World Without Bees

In More Than Honey, Attica Boa's striking close-up photography helps visualize a story whose urgency needs no amplification: With global honeybee populations threatened, the world's food supply could be seriously endangered.
Kino Lorber

An amiably shaggy combination of science lesson, whimsical musing and alarm bell, More Than Honey isn't as urgent as its eco-catastrophic subject — the possible destruction of the world's critically important honeybee populations — might seem to require. But the documentary's most memorable vignette is suitably unnerving: a visit to northern China, where the threatened disappearance of bees has already come to pass, leaving workers to pollinate fruit trees ... by hand.

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5:01pm

Thu June 6, 2013
Movie Reviews

Resnais' Lively, Metatheatrical Look At Death

Sabine Azema (left) and Pierre Arditi are two of the veteran actors drawn into a convoluted retelling — and reimagining — of the Orpheus and Eurydice story in Alain Resnais' You Ain't Seen Nothin' Yet.
Kino Lorber

As a relatively young man, French director Alain Resnais made films about loss, remembrance and the ghosts of a recent history that included the Holocaust, Hiroshima and the brutal Franco-Algerian war. He was 89 when he directed his latest film, You Ain't Seen Nothin' Yet, which also considers the presence of the past. But the director's concern with real-life horrors has been replaced here by an outlook that's both playful and explicitly theatrical.

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5:02pm

Thu May 30, 2013
Movie Reviews

Teenage 'Kings Of Summer' Rule A Predictable Sitcom World

The Kings Of Summer stars (from left) Gabriel Basso as Patrick, Moises Arias as Biaggio and Nick Robinson as Joe. The three teenagers escape from their constrictive parents to build a house of their own in the woods.
Courtesy Toy's House Productions

Like the recent Mud, The Kings of Summer is a tale of feral adolescent pals in search of freedom and adventure. The movies even share essentially the same awkwardly contrived climax. But of the two films, The Kings of Summer is more of a comedy, with a depiction of the eternal war between teen and parent that's downright farcical.

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3:00pm

Thu May 30, 2013
Movie Reviews

Will, Jaden Smith In Space, Without Fun

Will Smith (left) and Jaden Smith star in After Earth, an unfortunately humorless film.
Courtesy of Columbia Pictures.

A disastrous father-son endeavor about a calamitous father-son expedition, After Earth doesn't play to the strengths of any of its major participants.

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5:48pm

Thu May 23, 2013
Movie Reviews

'We Steal Secrets': A Sidelong Look At WikiLeaks

Originally published on Thu May 23, 2013 7:52 pm

Source material: As a virtual prisoner these days, he doesn't supply much in the way of fresh information — but WikiLeaks overlord Julian Assange is very much at the center of Alex Gibney's documentary We Steal Secrets.
Jo Straube Universal Pictures

Current-events buffs probably think they know the tale of WikiLeaks and its founder, Julian Assange. Prolific filmmaker Alex Gibney may have thought the same when he began researching his film We Steal Secrets. But this engrossing documentary soon diverges from the expected.

Even the movie's title, or rather the source of it, is a surprise. Not to spoil the fun, but it's neither Assange nor one of his allies who nonchalantly acknowledges that "we steal secrets."

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5:03pm

Thu May 16, 2013
Movie Reviews

'Bidder 70,' Still Raising His Hand To Be Heard

Supporters of environmental activist Tim DeChristopher picket outside his criminal trial. The economics student ran into trouble with the federal government when he bid on — and won — mineral rights he had no intention of exploiting.
First Run Features

In its final months, the George W. Bush administration hastily organized a mineral-rights auction for federal land in Utah, much of it near national parks. Environmentalist and economics student Tim DeChristopher attended the sale and — impulsively, he says — bid on and won 22,000 acres he had no intention of exploiting.

The feds came down on him like a ton of oil derricks. DeChristopher was threatened with as many as 10 years in prison, and ultimately spent 21 months behind bars.

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5:03pm

Thu May 16, 2013
Movie Reviews

'Augustine' And Her Diagnosis Get Another Look

Augustine (the French singer-actress billed as Soko) was a 19th-century Paris housemaid diagnosed with the then-fashionable condition known as "hysteria" — a catchall used to label many ailments women suffered in that age.
Jean Claude Lother Music Box Films

Onstage, in front of an audience, the young woman seemingly goes into a trance, overcome by a power that shakes and contorts her. The commotion appears profoundly sexual; she grabs at her crotch as she writhes. When the woman reaches some kind of release, the spell is broken, and she becomes calm. She leaves the stage to enthusiastic applause.

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