Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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5:03pm

Thu May 8, 2014
Movie Reviews

'Neighbors' Just Wants To Be The Gross Joke Next Door

Zac Efron in Neighbors.
Universal Pictures

Makers of R-rated comedies face an essential dilemma: finding brand new ways to gross out their snickering adolescent viewers. But as Neighbors demonstrates, there's another challenge that's just as tricky: piloting the raunchy scenario to a payoff that upholds the very middle-class values the movie gleefully profanes.

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5:04pm

Thu May 1, 2014
Movie Reviews

Travel And Discovery, For 'Ida' And The Filmmaker Who Watches Her

Ida/Anna (Agata Trzebuchowska) in Ida.
Music Box Films

Everyone is on a voyage of self-discovery in Ida — the two central characters certainly, but also Poland-born, Britain-based director Pawel Pawlikowski, making his first film in the homeland he left at 14.

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5:08pm

Thu April 24, 2014
Movies

Tracing One Life, Lost In The Desert

Originally published on Thu April 24, 2014 6:41 pm

Gael Garcia Bernal narrates and travels in the documentary Who Is Dayani Cristal?
Kino Lorber

Who Is Dayani Cristal? attempts to humanize the many who illegally cross the U.S.-Mexico border by focusing on just one: a corpse found in the lethal Arizona desert with the words "Dayani Cristal" tattooed on his chest. The documentary follows the models of several genres of fictional films: the forensic procedural, the road movie, the man-who-wasn't-there mystery.

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4:02pm

Thu April 17, 2014
Movies

The Rush Of A River; The Rise Of A Gondola

Originally published on Thu April 17, 2014 7:21 pm

Glen Canyon Dam, on the Arizona/Utah border, is seen in a scene from DamNation.
Ben Knight Damnation Collection

Although they take very different approaches to the eco-documentary, DamNation and Manakamana are both immersive experiences. In the former, one of the directors is the narrator and an onscreen character. In the latter, the directors stay off-camera (or behind the camera) as they turn a simple journey into a slowly unraveling ethnographic mystery.

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1:29pm

Sat March 29, 2014
Movie Reviews

'Boys Of Abu Ghraib' Focuses Too Tightly On An Army Of One

Originally published on Sat March 29, 2014 2:08 pm

Jack Farmer (Luke Moran), a kind-hearted member of the Military Police stationed at Abu Ghraib, finds himself questioning the jail's culture.
Courtesy of

Essentially a one-man show, writer-director-star Luke Moran's Boys of Abu Ghraib observes a soldier's deployment at the prison during its most notorious post-Saddam year, 2003. As such, the movie works pretty well. But spotlighting a single GI sidesteps the group dynamic of what happened at the U.S.-run jail, where poorly supervised guards incited each other to behave in ways that were, at the least, unprofessional.

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5:03pm

Thu March 20, 2014
Movie Reviews

It's Faction Against Faction In A Grim Future Chicago

Tris (Shailene Woodley) and Four (Theo James) train hard as part of the warrior faction Dauntless in Divergent, based on the novel by Veronica Roth.
Jaap Buitendijk Summit Entertainment

The latest teen-girl fiction series to become a movie franchise, Divergent delivers adolescent viewers some bad news and some good news. The bad is that the dystopian future will be just like high school, with kids divided into rigid cliques. The good is that adulthood will be just like high school, so teens face no major surprises.

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5:03pm

Thu March 20, 2014
Movie Reviews

Foreign Policy, With A Pugnacious French Twist

Arthur (Raphael Personnaz) is a new hire at the French Ministry of Foreign Affairs, where Alexandre Taillard de Worms (Thierry Lhermitte) is the eccentric foreign minister.
Courtesy of Sundance Selects

A frisky tour of the Gallic equivalent of the U.S. State Department, The French Minister boasts robust pacing, screwball-comedy banter and an exuberant central performance. For most American viewers, though, the movie could use footnotes to go with its subtitles.

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5:03pm

Thu March 13, 2014
Movie Reviews

'Big Men,' Doing Big Business In Africa's Oil Fields

The big men at the center of Big Men are public, private and everything in between.
Jonathan Furmanski Abramorama

There are three categories of schemers in Big Men, Rachel Boynton's illuminating documentary about the oil business in West Africa: businessmen, politicians and bandits. Sometimes, though, it's hard to tell the types apart.

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5:03pm

Thu March 6, 2014
Book Reviews

'300': An Empire Rises, Dripping In Gore And Glamour

Originally published on Fri March 7, 2014 9:21 am

The goth-glam Artemisia (Eva Green) is one of the more memorable characters in 300: Rise of an Empire — and not just because she's commander of the Persian navy.
Warner Bros. Pictures

Talk about meeting cute: The first time they're alone together, the protagonists of 300: Rise of an Empire rip each other's clothes off. But then Themistokles (Sullivan Stapleton) and Artemisia (Eva Green) can't decide if they want to make love or war.

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5:03pm

Thu February 27, 2014
Movie Reviews

In 'Stalingrad,' Where The Fog Of War Is Plenty Thick

Teenage civilian Katya (Mariya Smolnikova) shares a ruined apartment with a gang of Soviet soldiers during the battle of Stalingrad in Fedor Bondarchuk's Stalingrad.
Sony Pictures

If you're only going to see one film about the Battle of Stalingrad — and there are many — Stalingrad would be the wrong choice. Russian director Fedor Bondarchuk's treatment of the World War II turning point is shallow and contrived, if sometimes impressively staged. The movie wins points, however, for sheer wackiness.

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