Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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5:03pm

Thu June 12, 2014
Movies

In 'Manuscripts,' A Barred Filmmaker Considers Dissident Art

One of the uncredited members of the cast of Manuscripts Don't Burn.
Kino Lorber

Iranian writer-director Mohammad Rasoulof is known for such lovely yet elusive allegories as White Meadows, but his response to being barred from filmmaking has not been to recede further into symbolism. His Manuscripts Don't Burn, smuggled out of Iran last year, is direct and unflinching.

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5:08pm

Thu June 5, 2014
Movie Reviews

All Eyes Turn To One 'Beauty' In Interwoven Tales Of Families And Politics

Originally published on Fri June 6, 2014 1:45 pm

Isabelle Huppert in Dormant Beauty.
Emerging Pictures

Four stories and at least that many themes interlace in Dormant Beauty, veteran Italian director Marco Bellocchio's latest bid to combine the personal and the political. The central issue is euthanasia, which became a national argument in 2009, when the father of Eluana Englaro asked to end her life after 17 years in a vegetative state.

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5:03pm

Fri May 30, 2014
Movie Reviews

Punk Is Alive And Living In Three Swedish Girls

Mira Grosin, Liv Lemoyne and Mira Barkhammar in WE ARE THE BEST!
Sofia Sabel Magnolia Pictures

Somewhere in liberal-minded but boring Sweden, two teenage girls begin a rebellion. If the premise of Lukas Moodysson's We Are the Best! sounds familiar, that's because it's roughly identical to that of the writer-director's charming 1998 debut, Show Me Love.

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5:03pm

Thu May 22, 2014
Movie Reviews

Dizzy From Time Travel, Overstuffed With Mutants

You're looking pensive, Wolverine (Hugh Jackman). And maybe full of ... holes?
Alan Markfield Twentieth Century Fox

As the seventh X-Men movie begins, New York City is in ruins, its residents nearly annihilated. Yet X-Men: Days of Future Past's true plight is overpopulation. The film is so stuffed with characters that including twin versions of Professor X and Magneto scarcely boosts the confusion.

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5:04pm

Thu May 15, 2014
Movie Reviews

In 'Horses Of God,' A Sprawling Slum Breeds A Violent Act

Said El Alami and Achraf Afir in Horses Of God.
Kino Lorber

Anyone seeking to establish an incubator for suicide bombers could hardly improve on Sidi Moumen, a slum on the fringe of Casablanca. As depicted in Horses of God, the neighborhood is a place of crushing poverty, rampant hostility and exceptionally limited options.

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5:03pm

Thu May 8, 2014
Movie Reviews

'Neighbors' Just Wants To Be The Gross Joke Next Door

Zac Efron in Neighbors.
Universal Pictures

Makers of R-rated comedies face an essential dilemma: finding brand new ways to gross out their snickering adolescent viewers. But as Neighbors demonstrates, there's another challenge that's just as tricky: piloting the raunchy scenario to a payoff that upholds the very middle-class values the movie gleefully profanes.

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5:04pm

Thu May 1, 2014
Movie Reviews

Travel And Discovery, For 'Ida' And The Filmmaker Who Watches Her

Ida/Anna (Agata Trzebuchowska) in Ida.
Music Box Films

Everyone is on a voyage of self-discovery in Ida — the two central characters certainly, but also Poland-born, Britain-based director Pawel Pawlikowski, making his first film in the homeland he left at 14.

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5:08pm

Thu April 24, 2014
Movies

Tracing One Life, Lost In The Desert

Originally published on Thu April 24, 2014 6:41 pm

Gael Garcia Bernal narrates and travels in the documentary Who Is Dayani Cristal?
Kino Lorber

Who Is Dayani Cristal? attempts to humanize the many who illegally cross the U.S.-Mexico border by focusing on just one: a corpse found in the lethal Arizona desert with the words "Dayani Cristal" tattooed on his chest. The documentary follows the models of several genres of fictional films: the forensic procedural, the road movie, the man-who-wasn't-there mystery.

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4:02pm

Thu April 17, 2014
Movies

The Rush Of A River; The Rise Of A Gondola

Originally published on Thu April 17, 2014 7:21 pm

Glen Canyon Dam, on the Arizona/Utah border, is seen in a scene from DamNation.
Ben Knight Damnation Collection

Although they take very different approaches to the eco-documentary, DamNation and Manakamana are both immersive experiences. In the former, one of the directors is the narrator and an onscreen character. In the latter, the directors stay off-camera (or behind the camera) as they turn a simple journey into a slowly unraveling ethnographic mystery.

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1:29pm

Sat March 29, 2014
Movie Reviews

'Boys Of Abu Ghraib' Focuses Too Tightly On An Army Of One

Originally published on Sat March 29, 2014 2:08 pm

Jack Farmer (Luke Moran), a kind-hearted member of the Military Police stationed at Abu Ghraib, finds himself questioning the jail's culture.
Courtesy of

Essentially a one-man show, writer-director-star Luke Moran's Boys of Abu Ghraib observes a soldier's deployment at the prison during its most notorious post-Saddam year, 2003. As such, the movie works pretty well. But spotlighting a single GI sidesteps the group dynamic of what happened at the U.S.-run jail, where poorly supervised guards incited each other to behave in ways that were, at the least, unprofessional.

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