Lynn Neary

Lynn Neary is an NPR arts correspondent and a frequent guest host often heard on Morning Edition and Weekend Edition.

In her role on the Arts desk, Neary reports on an industry in transition as publishing moves into the digital age. As she covers books and publishing, she relishes the opportunity to interview many of her favorite authors from Barbara Kingsolver to Ian McEwan.

Arriving at NPR in 1982, Neary spent two years working as a newscaster during Morning Edition. Then, for the next eight years, Neary was the host of Weekend All Things Considered. In 1992, she joined the cultural desk to develop NPR's first religion beat. As religion correspondent, Neary covered the country's diverse religious landscape and the politics of the religious right.

Over the years Neary has won numerous prestigious awards including the Robert F. Kennedy Journalism award, the Corporation for Public Broadcasting Gold Award, an Ohio State Award, an Association of Women in Radio and Television Award and the Gabriel award. For her reporting on the role of religion in the debate over welfare reform, Neary shared in NPR's 1996 Alfred I. duPont-Columbia University Silver Baton Award.

A Fordham University graduate with a Bachelor of Arts in English, Neary thinks she has the ideal job and suspects she is the envy of English majors everywhere.

The Ozarks mountain town of West Plains, Mo., is the kind of town where a person can stand in his front yard and have a comfortable view of his past.

"My mom was actually born about 150 or 200 feet that way, and my grandfather's house is I guess 200 yards that way," says Daniel Woodrell, author of Winter's Bone, and most recently, The Maid's Version.



E-books have strained the relations between libraries and the major publishing houses. Libraries say they're being cut out of the market because publishers are afraid they could lose money selling e-books to libraries. After much negotiation, the publishers are experimenting with new ways of doing business. But some libraries are already looking to bypass the high prices and restrictions that publishers place on e-books.

Chances are you have had contact with Scholastic Publishing at some point in your life: You might have read their magazines in school, or bought a book at one of their book fairs, or perhaps you've read Harry Potter or The Hunger Games? From its humble beginning as publisher of a magazine for high schoolers, Scholastic has become a $2 billion business and one of the biggest children's book publishers in the world.

There is no one definition of a summer book. It can be a 1,000-page biography, a critically acclaimed literary novel, a memoir everyone is talking about — or it might be your favorite guilty pleasure: romance, crime, science fiction. Whatever you choose, it should be able to sweep you away to another world, because there is nothing like getting totally lost in a book on summer day. Here are a few books that swept away some of our favorite critics.

Shopping at a farmers market on a weekend morning can turn bittersweet if your eye for just-picked summer fruit is bigger than your refrigerator and appetite.

That's a crisis first-time cookbook author Kevin West found himself in a few years back. After one particular farmers market spree, West's buyer's remorse came from a big package of fresh strawberries.

Walk into any bookstore or library, and you'll find shelves and shelves of hugely popular novels and book series for kids. But research shows that as young readers get older, they are not moving to more complex books. High-schoolers are reading books written for younger kids, and teachers aren't assigning difficult classics as much as they once did.

About five years ago, Colum McCann stumbled upon a small piece of history he had never known: In 1845, Frederick Douglass, then an escaped slave who was already famous for his anti-slavery writings and speeches, visited Ireland to raise money and support for his cause. McCann says he knew almost immediately that he wanted to turn this historical fact into fiction: "This intersection between history and fiction, between what is real and what is not real, fascinates me," he says.

The American West has always been fertile ground for writers. Now Philipp Meyer steps into that territory with his new novel The Son. It's a family saga that traces the settling of Texas from its days as a wild frontier to the oil boom — with no shortage of violence.

It all started one night when writer Amanda Filipacchi was browsing through Wikipedia and noticed an absence of women under the category "American novelists." At first, she thought the female writers being moved off the page were not important enough to be on it. But then she discovered some obscure male novelists were still listed, while some well-known women were not.

Elizabeth Strout, author of the Pulitzer Prize-winning book Olive Kitteridge, sets much of her work in Maine, where her family has lived for eight generations. But Strout herself has lived most of her adult life in New York. In her new novel, The Burgess Boys, she writes for the first time about the city she now calls home.