Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

It's not an unfair generalization, I don't think, to say that identification with characters is fundamental to contemporary romantic novels. Most — not all, but most, by the numbers — are written for an audience of women, and they're emotionally centered on the romantic quest of a woman, often accompanied by another quest of some kind for career fulfillment, a peaceful relationship with parents, or the putting aside of past mistakes.

Is there anything left to say about Adventures Of Huckleberry Finn?

That is the question that animates big parts of Andrew Levy's Huck Finn's America: Mark Twain And The Era That Shaped His Masterpiece, a richly researched, copiously annotated, fascinating argument that in all the debates over the book's treatment of race and despite its position as both a widely banned book and a widely assigned book, we tend to miss some of the most important things it teaches.

We at PCHH are not together this week for the holidays, as we are scattered hither and yon, literally from coast to coast. But before we scattered thusly, we sat down with our friend (and film critic and musical theater aficionado) Bob Mondello to talk about Disney's new adaptation of Stephen Sondheim's Into The Woods, starring Meryl Streep, Emily Blunt, Anna Kendrick, Chris Pine and lots more.

I am not a great maker of lists. Unless pressed, I will make exactly one each year, and this is it.

This is a list of 50 of the wonderful things that wandered through my field of vision in 2014. It is not a definitive list of the best things. It is not merely subjective but sublimely subjective. It leans away from (but doesn't entirely avoid) what's been most highly praised and what seems to have been most rewarded.

This week's show brings our pal Audie Cornish into the studio for a conversation about Chris Rock's comedy Top Five. We get into the balance of industry satire and romance, the particular variety of raunchy comedy the film favors, and how his deft handling of the agony of junkets contrasts with the actually impressive round of interviews Rock has done surrounding the film.

The sun'll come out tomorrow
Bet your bottom dollar that tomorrow, there'll be sun

It's hard to believe that not only was there no Serial six months ago, there was no Serial three months ago. The hugely popular podcast, a spinoff production of This American Life, didn't even premiere until early October, but since then, it has made its way with great speed into worlds from Sesame Street to Funny Or Die.

As The Conversation About Serial reaches a fever pitch in certain circles, those of us behind Code Switch and Monkey See have been talking quite a bit about the show.

Perhaps you are familiar with the oft-quoted wisdom of (allegedly) Coco Chanel that when a woman gets dressed and believes she's ready, she should take off one accessory before she leaves the house.

Chris Rock has been on a tear — a widely shared interview with Frank Rich in New York Magazine, a widely shared guest column in The Hollywood Reporter, interviews with Audie Cornish on All Things Considered, Terry Gross on

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