Jeff Lunden

A theater company in Brooklyn, N.Y., recently decided to do a social experiment: Put seven cops and seven civilians in a rehearsal room once a week to really get to know one another. Then, after 10 weeks, ask them to put on a show.

In the world of ballet, The Nutcracker is sort of a gateway drug. Choreographer Christopher Wheeldon danced his first Nutcracker when he was 11, with London's Royal Ballet. After he moved to the U.S., he danced the Balanchine production with the New York City Ballet.

Decades before he became a best-selling children's book author, Dr. Seuss, a.k.a. Theodor Geisel, created a series of sculptures he called his "Unorthodox Taxidermy." Using real horns, beaks and antlers, he fashioned whimsical creatures which look like they jumped right out of his books.

A traveling show of replicas, called "If I Ran the Zoo", has landed at a gallery in Long Island. Today we bring you that story (how else?) in verse:

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There are few living theater directors who can convince audiences to stay up all night watching the staging of a Sanskrit poem. But 30 years ago, director Peter Brook did just that. He put on what came to be known as one of the great theater events of the 20th century: The Mahabharata. It was nine hours long, and it was epic.

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The best way to enjoy this next story is if you listen through headphones. It's about "The Encounter," a new Broadway show. It uses three-dimensional sound effects to take the audience deep into the Amazon. Jeff Lunden reports.

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Edward Albee, the three-time Pulitzer Prize-winning playwright of Who's Afraid of Virginia Woolf? among many others, died Friday at the age of 88 following a short illness, according to his longtime personal assistant.

In September 1993 Israeli Prime Minister Yitzhak Rabin and Palestine Liberation Organization Chairman Yasser Arafat shook hands on the White House lawn. It was an iconic moment — two mortal enemies had come to terms on a historic peace agreement.

That agreement was forged during months of secret back-channel talks in Norway. A new off-Broadway play, OSLO, looks at this little-known part of the peace process.

Avant garde theater director Rachel Chavkin's career is exploding. Sitting in one of her shows might mean sitting in silence or knocking back shots of vodka, while an actor sings from War and Peace right next to you. Chavkin has two shows running off-Broadway now and a show opening on Broadway this fall.

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