Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

Pages

5:48am

Sun October 27, 2013
Books News & Features

Energetic, Intimate 'Letters' Reveal Private Leonard Bernstein

Originally published on Sun October 27, 2013 2:10 pm

Composer and conductor Leonard Bernstein, shown here conducting the New York Philharmonic orchestra in 1963, was a legend in American music. Letters to and from Bernstein have been compiled into The Leonard Bernstein Letters, a new book edited by Nigel Simeone.
Express Newspapers Getty Images

Leonard Bernstein was a singular American genius. One of the great orchestra conductors of the 20th Century, he was also a composer of hit musicals like West Side Story, as well as symphonies and ballets. He was a teacher and television personality — his Young People's Concerts introduced generations of children to classical music.

Read more

4:54pm

Tue October 22, 2013
Theater

For John Kander, A New 'Landing' At A Familiar Spot

Originally published on Tue October 22, 2013 8:40 pm

David Hyde Pierce (center), Julia Murney and Frankie Seratch star in The Landing, a new musical from Broadway veteran John Kander, who co-wrote it with Greg Pierce. David Hyde Pierce previously starred in one of the latter collaborations between Kander and his late songwriting partner, Fred Ebb — the 2006 musical Curtains.
Carol Rosegg

Broadway composer John Kander is a living legend: With his songwriting partner, the late Fred Ebb, he created the scores for the smash hit musicals Cabaret and Chicago, as well as the enduring anthem "New York, New York."

Now, at 86, Kander has a new writing partner — and a new musical, The Landing, opening off-Broadway Wednesday.

"Life Goes On"

Read more

4:51pm

Thu September 26, 2013
Theater

An American Masterpiece, And A 'Menagerie' Of Stars

Originally published on Thu September 26, 2013 7:19 pm

In a Broadway transfer of the American Repertory Theatre's acclaimed production of The Glass Menagerie, Cherry Jones plays Amanda, mother to the very troubled Laura (Celia Keenan-Bolger). The play cemented Tennessee Williams' reputation as an American original when it premiered in 1945.
Michael J. Lutch

Pop-culture aficionadoes will know Zachary Quinto as Spock in the cinematic reboot of Star Trek, and Cherry Jones as President Taylor from television's 24.

But both are accomplished stage actors as well. And tonight, they're opening on Broadway, in a revival of Tennessee Williams' classic play The Glass Menagerie.

Read more

5:18pm

Tue September 10, 2013
Deceptive Cadence

New York City's 'People's Opera' May Face Its Final Curtain

Originally published on Tue September 10, 2013 10:15 pm

Pamela Armstrong (left) as Alice Ford and Heather Johnson as Meg Page in New York City Opera's production of Falstaff. The so called people's opera may have to cancel its upcoming season if fundraising falls short.
Carol Rosegg New York City Opera

There are a lot of operas that end with heroines on their deathbeds, singing one glorious aria before they die. That's what happens at the end of Anna Nicole, the controversial new work that New York City Opera is presenting at the Brooklyn Academy of Music in September. But the company's artistic director and general manager, George Steel, says it could also be City Opera's last gasp.

Read more

5:51pm

Fri September 6, 2013
Theater

'Mr. Burns' And Friends, Surviving Long Past The End Times

Originally published on Fri September 6, 2013 6:11 pm

Who's That Masked Marge? Jennifer R. Morris (left), with Sam Breslin Wright, Gibson Frazier, Colleen Werthmann and Susannah Flood, in the third act of Mr. Burns: A Post-Electric Play, a Simpsons-inspired fantasia of loss and remembrance by Anne Washburn.
Joan Marcus Playwrights Horizons

If the world as we know it comes to an end, will art survive? And if it does, what kinds of stories will be told after the apocalypse? The answer might surprise you.

The lights come up on a group of people around a campfire in the woods, trying to recall all the details of the hilarious Simpsons episode "Cape Feare," a parody of the Robert Mitchum and Robert De Niro movies, in which Bart Simpson is stalked by the evil but incompetent Sideshow Bob.

Read more

5:34pm

Tue July 23, 2013
Theater

'Love's Labours,' Tuned Up And Playing In The Park

Originally published on Tue July 23, 2013 7:14 pm

Daniel Breaker, a Juilliard-trained actor who's earned praise for roles as varied as Donkey in Shrek the Musical and the protagonist Youth in Passing Strange, gets to play a king in a new musical adaptation of Shakespeare's Love's Labour's Lost.
Tammy Shell The Public Theater

A few years ago, after songwriter Michael Friedman and writer-director Alex Timbers had finished working on their cheeky historical musical Bloody Bloody Andrew Jackson, they decided to look for a new project to work on. Friedman says they wanted the next show to have a completely different feel.

"So we started looking at Shakespeare," Friedman says. "And then, I think, we came to sort of, 'How amazing would it be to work on a romantic comedy?' "

Read more

11:41am

Sun June 9, 2013
Theater

In The Rush To The Tonys, A Late Glut For Theatergoers

Originally published on Mon June 10, 2013 12:03 pm

Beloved veteran Cicely Tyson has a solid shot at the best actress award at Sunday night's ceremony; her performance in Horton Foote's The Trip to Bountiful has drawn critical praise and audience applause.
Joan Marcus

This spring, more than in any recent year, the 2012-2013 Broadway season accelerated toward its conclusion: Nineteen productions opened between the beginning of March and April 25, the cut-off date for Tony eligibility. And many of those shows raised their curtains in the final two weeks of the season.

Read more

5:05am

Sun June 9, 2013
Theater

Clothes Make The Man (And The Woman, And The Show) On Broadway

Originally published on Sun June 9, 2013 6:37 pm

Laura Osnes, Santino Fontana and the ensemble of Cinderella — one of the Broadway season's more lavish musicals, whose costume designer, William Ivey Long, is nominated for his sixth Tony Award.
Carol Rosegg

Part of what makes a Broadway show a Broadway show — read "splashy," especially if we're talking musicals — is the costumes. Some shows feature hundreds.

And a battalion of workers is involved in a highly choreographed backstage ballet, not just to keep the actors looking good but to help them change costumes almost instantaneously.

Read more

4:57pm

Mon May 27, 2013
Theater

New Plays Turn Passive Audience Members Into Participants

Several productions in New York's smaller theaters aren't content with providing passive experiences — the audience is asked to participate. Here Lies Love, a new David Byrne musical about Imelda Marcos at the Public Theater, is set in a disco and the audience moves around, from scene to scene, dancing all the while. Natasha, Pierre and the Comet of 1812, is an electronic pop opera based on a portion of Tolstoy's War and Peace, and is set in a Russian restaurant where audiences are served a meal and vodka as part of the performance.

Read more

5:55am

Sat May 25, 2013
Theater

Equity At 100: More Than Just A Broadway Baby

Originally published on Sat May 25, 2013 1:19 pm

His statue may be a Theater District landmark now, but George M. Cohan caused no small amount of trouble for Actors' Equity early in its history. The union marks its 100th anniversary this year.
Timothy A. Clary AFP/Getty Images

"Don't put your daughter on the stage," Noel Coward famously cautioned his imaginary Mrs. Worthington, and no wonder: Stage acting is one of the toughest professions imaginable. For all the potential triumph, there's hardly any job security — and more than a little potential for heartbreak and disappointment.

Read more

Pages