Jeff Lunden

When audience members start taking their seats to see Broadway's Indecent, the actors are already sitting at the back of the stage. Eventually, the lights go down and the performers begin a ghostly dance to klezmer music as bits of ash fall out of their overcoats.

Lillian Hellman's 1939 melodrama The Little Foxes has two great roles for actresses over the age of 40. Laura Linney and Cynthia Nixon fill those roles in a new revival on Broadway ... but with one big twist: Linney and Nixon play both roles and switch off at different performances.

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ROBERT SIEGEL, HOST:

A recent lawsuit brought by a blind theatergoer against the producers of the hit musical Hamilton has highlighted Broadway's spotty track record in serving audiences with disabilities.

For lovers of traditional circus shows, the announcement that the Ringling Bros. and Barnum & Bailey Circus was closing may have come as a shock. But the nonprofit Circus Now wants you to know that the circus is more than ringmasters, elephants and lion tamers.

There are over 21 million refugees around the world, according to the United Nations, and the musical A Man of Good Hope tells the story of one of them: Somali refugee Asad Abdullahi. Several years ago, author Jonny Steinberg interviewed Abdullahi in a rough and tumble township outside Cape Town, South Africa. He was working on a book about South African history.

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For decades, there have been exactly 40 Broadway theaters all between 41st and 65th Streets in Manhattan. Tonight, a new theater opens that also happens to be the oldest. Are you confused? No one better than Jeff Lunden to clear it up.

The movie Fences is in theaters across the U.S. right now and is a leading contender in the Academy Awards. It's based on a play by August Wilson — a play that got its start at the Yale Repertory Theatre in New Haven, Conn. This season, Yale Rep, as its known, marks its 50th anniversary as an incubator for not only Wilson, but also Athol Fugard, Christopher Durang, Sarah Ruhl and many of the leading playwrights working today.

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SCOTT SIMON, HOST:

A theater company in Brooklyn, N.Y., recently decided to do a social experiment: Put seven cops and seven civilians in a rehearsal room once a week to really get to know one another. Then, after 10 weeks, ask them to put on a show.

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