Ella Taylor

Ella Taylor is a freelance film critic, book reviewer and feature writer living in Los Angeles.

Born in Israel and raised in London, Taylor taught media studies at the University of Washington in Seattle; her book Prime Time Families: Television Culture in Post-War America was published by the University of California Press.

Taylor has written for Village Voice Media, the LA Weekly, The New York Times, Elle magazine and other publications, and was a regular contributor to KPCC-Los Angeles' weekly film-review show FilmWeek.

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5:02pm

Thu January 9, 2014
Movie Reviews

Mommy Issues Writ Large For A Troubled Teen

Kaya Scodelario plays a melodramatic teenager obsessed with her mother's death in The Truth About Emanuel, the second film from director Francesca Gregorini.
Tribeca Film

What's a domestic melodrama without a mom to kill off, to sicken, to render monstrous or otherwise AWOL?

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6:57pm

Thu December 26, 2013
Movie Reviews

In 'Lone Survivor,' Heroics Extend Only As Far As Survival, Solidarity

Mark Wahlberg plays Marcus Luttrell in Lone Survivor.
Universal Pictures

We are awash in war films, and why is it that nonfiction films such as Dirty Wars or Iraq in Fragments increasingly resort to the dramatizing techniques of narrative film, while fiction films strain toward procedure, as if to avoid the sticky business of interpretation altogether?

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3:15pm

Tue December 24, 2013
Movie Reviews

Orbiting Dickens, An 'Invisible Woman' Or Two

Originally published on Tue December 24, 2013 5:40 pm

Felicity Jones plays Nelly Ternan, longtime mistress of author Charles Dickens, in The Invisible Woman.
David Appleby Sony Pictures Classics

The Invisible Woman is slow to build — but worth its wait in gold. A little over halfway through, this terrific drama bears fiercely down on the steep cost of being two of the significant women in the gilded life of Charles Dickens.

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5:03pm

Tue December 17, 2013
Movie Reviews

LaBute's 'Velvet Morning': Nothing Soft About These Surfaces

Originally published on Wed December 18, 2013 10:43 am

When Fred (Stanley Tucci) shows up on the doorstep of his former lover (Alice Eve) ready to resume their relationship, it doesn't necessarily go smoothly.
Rogier Stoffers Tribeca Film

I'll say this for Neil LaBute: The man sticks to his guns. Critics may carp about his sour vision of human nature, but he keeps plugging away at his micro-studies of the cruel struggle for interpersonal domination.

LaBute is a master of stagecraft, of course; I'm not sure why he works in film at all, other than to broaden his audience. Aside from the substantially more cinematic Nurse Betty, almost all of his movies are essentially stage plays, ably transposed to the screen but with minimal concession to the switch in medium.

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5:03pm

Thu December 12, 2013
Movie Reviews

Making 'Mary Poppins,' With More Than A Spoonful Of Sugar

Originally published on Fri December 13, 2013 3:42 pm

Saving Mr. Banks chronicles Walt Disney's (Tom Hanks) long campaign to persuade Mary Poppins author P.L. Travers (Emma Thompson) to allow his movie-musical adaptation of her books.
Francois Duhamel Walt Disney Pictures

"We tell ourselves stories in order to live."

That endlessly quoted line from Joan Didion's The White Album echoes with more than the usual resonance for the two adversaries duking it out for control over the movie adaptation of Mary Poppins in Saving Mr. Banks.

For 20 years Walt Disney, reportedly on his young daughters' say-so, had tried to wrestle a green light from P. L. Travers, who wrote the original novels about the discipline-minded governess who flew in through a London window to save a troubled family from itself.

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5:03pm

Thu December 5, 2013
Movie Reviews

Among Israeli Teens, Complicated Questions Of Consent

In S#x Acts, Gili (Sivan Levy) transfers to a new school and takes up with more than one of her fellow students, and the lines of consent and blame begin to get blurred.
Tribeca Film

It's hard to think of a social issue more certain to drive people into blinkered encampment than the question of sexual consent. There are times when "no means no" seems like an incomplete response to an enormously touchy problem — especially as it affects teenagers, a demographic not known for prudent lust management.

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5:03pm

Thu November 28, 2013
Movie Reviews

Silent For Years, A Riot Grrrl Steps Back To The Mic

Originally published on Thu November 28, 2013 6:29 pm

Musician and riot grrrl Kathleen Hanna — formerly of Bikini Kill and Le Tigre, now with The Julie Ruin — is the fascinating central figure in the biographical documentary The Punk Singer.
Allison Michael Orenstein Opening Band Films

To many baffled outsiders over 40, Bikini Kill frontwoman Kathleen Hanna was a weirdo riot grrrl bopping up and down onstage in her bra and panties, bellowing atonal revenge lyrics at anyone who'd keep her and her fellow women down.

To her ardent young following of 1990s Third Wave feminists, though, Hanna was an alt Messiah, hacking out a space for women in the punk-rock mosh pit and sounding an enraged alarm on behalf of victims of sexual assault.

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5:03pm

Thu November 21, 2013
Movie Reviews

A Side Of Bettie Page You've (Somehow) Never Seen

Originally published on Thu November 21, 2013 6:03 pm

Bettie Page Reveals All digs deep into the storied life of the 1950s model, seen here in one of the many photos featured in the documentary.
Music Box Films

A tantalizing nugget lies half-buried in Mark Mori's engaging documentary about Bettie Page, the 1950s pinup who's inspired an endlessly self-renewing retro-cult of fans both male and female.

In the middle of a screening of Mary Harron's The Notorious Bettie Page, it seems, a voice was heard yelling "Lies! All lies!"

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5:02pm

Thu November 14, 2013
Movie Reviews

A Rome Portrait, And What A 'Great Beauty'!

In The Great Beauty, aging journalist and cynic Jep Gambardella (Toni Servillo) is forced to look back on his own lavish life after a former love dies.
Gianni Fiorito Janus Films

The ghost of Federico Fellini hovers wickedly over The Great Beauty, a fantastic journey around contemporary Rome and a riot of lush imagery juggling past and present, sacred and profane, gorgeous and grotesque.

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5:03pm

Thu November 7, 2013
Movie Reviews

One Big Lie, And All Of Lance Armstrong's Others

Alex Gibney's documentary started as a flattering profile of competitive cyclist Lance Armstrong, but all that changed after Armstrong admitted to years of doping — and lying to everyone about it.
Frank Marshall Sony Pictures Classics

"I didn't live a lot of lies. But I did live one big one. It's different, I guess. Maybe not."

So said disgraced cyclist Lance Armstrong to filmmaker Alex Gibney early this year, just hours after he confessed to Oprah that he'd doped during his seven wins of the Tour de France.

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