Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

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6:56pm

Thu January 30, 2014
Movie Reviews

At Home, With Mom And Her Murderous Beau

Originally published on Fri January 31, 2014 7:51 pm

Depressed single mother Adele (Kate Winslet) and her son, Henry (Gattlin Griffith), give the wounded and desperate Frank (Josh Brolin) a ride, only to realize that Frank is an escaped convict being hunted by local police.
Dale Robinette Paramount Pictures and Indian Paintbrush

So here's the setup: It's 1987. Frank, a convicted murderer, has escaped from a New Hampshire prison, and he's holding Adele, a fragile divorcee, and her 12-year-old son, Henry, captive in their own house until they eat his chili.

Turns out it's good chili — so good that it inspires Adele, whom the handsome convict has tied up very gently and tenderly, to reminisce about a conversation she and her son had about his sex education class. Seriously, it's some good chili. And did I mention that Frank is handsome?

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5:32pm

Thu January 23, 2014
Movie Reviews

Sun And Water, And A Dangerous Brand Of Desire

Originally published on Thu January 23, 2014 6:49 pm

Pierre Deladonchamps (right) and Christophe Paou anchor the dark thriller Stranger by the Lake, in which danger and desire become as tangled as in a Hitchcock classic.
Strand Releasing

The lake in Alain Guiraudie's Stranger by the Lake is gorgeous — aquamarine, pristine, surrounded by pebbly beaches and dense woods. Families cluster on the far side of it, but on the side we see, there are only men. It's a gay cruising spot, frequented by mostly nude sunbathers and swimmers, many of whom come here often enough to know each other by sight if not by name.

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4:13pm

Tue December 31, 2013
Monkey See

Screen Time: Bob Mondello's Favorite Films Of 2013

Originally published on Tue December 31, 2013 6:56 pm

Lea Seydoux plays Emma in the film Blue Is the Warmest Color, directed by Abdellatif Kechiche.
AP

Conventional wisdom has it that television is where the creative action is these days, and yes, there are some terrific shows on cable.

But there are things it's hard to do on the small screen, and the year's most cinematic film delighted in reminding audiences why they like seeing movies in theaters.

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5:01pm

Thu December 19, 2013
Movie Reviews

From An Oscar Winner, A 'Past' Still Hauntingly Present

Originally published on Sat December 21, 2013 6:46 pm

Asghar Farhadi's The Past focuses on the complex family dynamics between Marie (Berenice Bejo), her soon-to-be ex-husband, her new love (Tahar Rahim, above) and her children.
Carole Bethuel Sony Pictures Classics

Iranian filmmaker Asghar Farhadi came to international attention last year when his film A Separation won the Oscar for best foreign language film. His latest picture, The Past, has been showered with awards, too — at the Cannes Film Festival and from critics groups in the U.S. I saw The Past in September at the Toronto Film Festival, and it has haunted me ever since.

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2:59am

Mon December 16, 2013
Remembrances

Peter O'Toole, Exuberant From 'Lawrence' To His Last Role

Originally published on Mon December 16, 2013 10:35 am

Peter O'Toole, the charismatic actor who achieved instant stardom as Lawrence of Arabia and was nominated eight times for an Academy Award, died Saturday. He was 81.
AP

Blond, blue-eyed and wearing blazing white robes in Lawrence Of Arabia, Peter O'Toole was handsome enough — many said beautiful enough — to carry off the scene in which director David Lean simultaneously made stars of both his title character and his leading man.

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7:03pm

Thu December 5, 2013
Movie Reviews

Behind Great Art, The Artist's Painstaking Process

Originally published on Sat December 7, 2013 6:33 pm

To test a theory that the Dutch master Johannes Vermeer used lenses, mirrors and other tools to create his masterpieces, inventor Tim Jenison sets out to re-create the method — and the paintings — in the dazzling documentary Tim's Vermeer.
Shane F. Kelly High Delft Pictures/Sony Pictures Classics

Stephen Sondheim has written quite a few classic musicals — Company, A Funny Thing Happened on the Way to the Forum, Sweeney Todd, Into the Woods — but he's had just one hit song, "Send in the Clowns" from A Little Night Music. And, as he tells an audience in Six by Sondheim, it was a tricky one to write because the star who had to sing it, Glynis Johns, wasn't a singer with a capital "s."

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11:30am

Mon December 2, 2013
Monkey See

Among The Holiday Glut, 3 Movies About The Creative Life

Tom Hanks plays the man himself, Walt Disney, alongside Emma Thompson as Mary Poppins author P.L. Travers, in Saving Mr. Banks.
Francois Duhamel Walt Disney Pictures

It's movie-binge time — that month-long surge of Oscar hopefuls and would-be blockbusters Hollywood always winds up the year with. On All Things Considered, I talked about some of the big tent-pole pictures: Anchorman 2, The Wolf of Wall Street, the second Hobbit installment and so on.

But here, let's winnow the list down a bit to three films you might want to keep an eye out for if you're intrigued by the artistic process — how artists think and work.

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5:03pm

Tue November 26, 2013
Movie Reviews

Solid 'Frozen' Puts A Fresh Sheen On An Old Story

Originally published on Mon December 2, 2013 10:04 am

After her Snow Queen sister Elsa (Idina Menzel) traps the kingdom in an endless winter, Anna (Kristen Bell) gathers a gang of offbeat buddies to break the spell.
Walt Disney Pictures

The new animated musical Frozen is based — sort of, hypothetically, in theory, or at least according to the Disney studio — on the Hans Christian Andersen fairy tale The Snow Queen.

Not in ways anyone would notice, however, and not in ways that will in any way distract moviegoers from thinking about the other works that seem to have influenced its creators; unlike in many animated movies, the borrowings aren't so much in-jokey as structural. Homages, of a sort, and fun to spot.

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5:40pm

Sat November 23, 2013
Movie Reviews

Two Very Different Movies, Two Heroines With Spine

Originally published on Sat November 23, 2013 6:07 pm

Jennifer Lawrence makes her second appearance as the savvy, steel-spined Katniss Everdeen in the dystopian Hunger Games series.
Murray Close Lionsgate

It's a fact of Hollywood life that the movie industry is dominated by men. Male stars make more money. Male executives make more decisions. And the vast majority of films are about what men do, or think, or blow up. But this weekend, two heroines are the backbone — the impressively sturdy backbone — of two very different pictures.

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6:40pm

Wed November 13, 2013
Movie Reviews

Chasing Money, And Meaning, In 'Nebraska'

Originally published on Wed November 13, 2013 8:32 pm

After receiving a dubious letter, the aging Woody (Bruce Dern) heads off on a quest to collect $1 million, dragging his son David (Will Forte) along with him.
Paramount Pictures

Woody Grant has white hair, a cranky disposition and a stubbornness that just won't quit. When we meet him, he's being stopped by a highway patrolman as he's walking down the shoulder of a Montana interstate. His son David picks him up at the police station, and it turns out Woody was on an 850-mile stroll to Nebraska, to collect the million dollars promised to him in a letter.

David points out gently that the letter is an ad for magazine subscriptions, but he's no sooner got the older man back to his house then he gets a call from his mom: Woody has hit the road again.

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