Bob Mondello

Before a hero can rise, he must suffer a fall, and fall the Dark Knight quite spectacularly did the last time around, taking the rap for crimes he didn't commit, marking himself as a vigilante pariah and even letting Heath Ledger steal the reviews. No way that's happening in this last installment. A comic-book tale that has gotten darker than anyone thought possible is now careening toward a burst of light — possibly a nuclear blast — at the end of the tunnel.

Imagine you're a movie producer, and you've got a couple of hundred million dollars to gamble on a single massive blockbuster. Which genre do you suppose will be your safest bet — superhero? Action-adventure? Sci-fi? All of those have had huge successes, but they've also all had hugely expensive failures.

There's one genre, though, that's hardly a gamble at all. It's been almost foolproof since it first came into being in 1995: computer animation.

I know you're skeptical. Tobey Maguire's Spider-Man was last slinging webs just five years ago. Broadway's Spider-Man started singing about webs less than two years ago. Now here comes another Spider-dude: This Andrew Garfield guy. So he'd better be really something, right? Well, as it happens, he is.

Seth MacFarlane is known mostly for creating, writing and directing the animated TV show Family Guy. In the show, he also voices Peter and Stewie Griffin, and their dog, Brian.

With his new movie, Ted, he has moved to the big screen for the first time, again creating, writing and directing. And though it's a live-action picture, he has again voiced one of the characters — the titular teddy bear, whom I tried to resist but couldn't.

For four decades, Woody Allen's been churning out movies at a rate of almost exactly one film per year, a phenomenon that I'd describe as being "like clockwork" if my whole sense of time hadn't been scrambled by his latest comedy, To Rome With Love.

Pleasantly scrambled, but still.

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