The State Department is giving federal agencies more time to review the Keystone XL Pipeline project. The additional time was given "based on the uncertainty created" by an ongoing legal battle in Nebraska, according to a State Department statement.
Three days of mourning have been declared in Puerto Rico following the death of salsa great Cheo Feliciano in a car accident there early Thursday. The singer was 78. "His music embodied the rhythm of Puerto Ricans living in New York City," U.S. Rep. Nydia Velazquez (D-NY) said in a statement, "and his lyrics helped tell our collective story."
In one corner, you have Metallica's Robert Trujillo. The most popular heavy metal bassist alive, he prowls beast-like across arena stages, rumbling guts with the low B on the 5-string instrument he slings to one side like a battle ax.
With his long face and hangdog appearance, actor John Turturro is no one's idea of a matinee idol — not even his own — so he raised a lot of eyebrows when he cast himself as the title character in Fading Gigolo. Even more when he cast Woody Allen as his pimp. So it may come as a relief when things don't go as wrong with what turns out to be a surprisingly sweet little dramedy as they might have.
Every so often a high-toned arthouse director dips a toe into the horror genre and the results are uplifting: You realize vampires and space aliens are subjects too rich to be the sole property of schlockmeisters. That's the case with two new arty genre pictures: Jonathan Glazer's Under the Skin and Jim Jarmusch's Only Lovers Left Alive — both slow, expressionist, non-narrative, the kind of films that drive some people crazy with boredom and put others in their thrall.
Japan says it will kill fewer whales when its seasonal Pacific hunt begins next week and will only observe whales in the Antarctic, after a U.N. court ordered it to stop taking the marine mammals from the Southern Ocean.
When I saw the first episode of BBC America's Orphan Black last year, I was convinced it was a crappy Canadian police drama.
That's because the set-up seemed like the oddest sort of crime procedural nonsense. A street urchin-style grifter sees a middle class woman who looks just like her leap in front of a commuter train, nabs her purse and climbs into her life – only to find her doppelganger is a troubled police officer with problems of her own.